{"title":"The StandardX - BOOKSHOP","description":"\u003cp data-start=\"98\" data-end=\"189\"\u003eThe StandardX Shop features a curated selection of books chosen by Landslide Books, Sydney.\u003c\/p\u003e\n\u003cp data-start=\"191\" data-end=\"643\"\u003eBringing together photography, contemporary art, literature, architecture, publishing, and visual culture, the collection combines internationally recognised titles with independent publications, artists' books, and unexpected discoveries from around the world. Whether purchased as a souvenir, a gift, or the beginning of a new obsession, each title has been selected for its ability to inspire curiosity and connect readers with contemporary culture.\u003c\/p\u003e","products":[{"product_id":"young-kim-a-year-on-earth-with-mr-hell","title":"YOUNG KIM \/ A Year on Earth with Mr. Hell","description":"\u003cp\u003e\u003cstrong\u003eYoung Kim\u003cbr\u003e\u003c\/strong\u003e\u003cem\u003eA Year on Earth with Mr. Hell  \u003c\/em\u003e2023\u003cbr\u003eSoftcover, 254 pages\u003cbr\u003e10.7 x 18cm\u003cbr\u003eFashionbeast Editions\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eCondition: New\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp\u003e\u003cspan\u003eA Year on Earth With Mr. Hell \u003c\/span\u003e\u003cspan\u003eis the critically acclaimed début memoir by \u003c\/span\u003e\u003cspan\u003eYoung Kim\u003c\/span\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis book explores a liberated woman’s erotic experience in a clandestine affair without the clichéd political and cultural stereotypes of modern gender roles. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSet in New York, the book is a completely truthful and explicit account about the first ten months of a romantic affair Kim conducted with legendary punk rocker and writer, \u003c\/span\u003e\u003cspan\u003eRichard Hell\u003c\/span\u003e\u003cspan\u003e, starting in the winter of 2016. It is unique in that while it is a diary in its cinematic sweep, it reads like a novel. Because it was written as the unpredictable affair unfolded, there was always great uncertainty to the realisation of this “daybook-cum- docudrama.” \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eKnown for his own erotic writing, Richard Hell instigated the book inadvertently by asking Kim to write something sexually provocative about their first night together. What resulted was an erotic relationship fuelled not only by carnal chemistry but also literary synergy. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSet in a Warholian swirl in the worlds of art, music, and fashion, spanning continents, the narrative is as much about Kim’s processing her grief for \u003c\/span\u003e\u003cspan\u003eMalcolm McLaren \u003c\/span\u003e\u003cspan\u003e(most famous for his role as the conceptualizer, art director, and manager of the Sex Pistols, as well as designing the punk style with his then-partner Vivienne Westwood), her romantic and business partner for the last 12 years of his life until his untimely death in 2010.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"page\" title=\"Page 2\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp\u003e\u003cspan\u003eThe design of the book, by \u003c\/span\u003e\u003cspan\u003eStudio Marie Lusa\u003c\/span\u003e\u003cspan\u003e, is an homage to \u003c\/span\u003e\u003cspan\u003eOlympia Press\u003c\/span\u003e\u003cspan\u003e, the notorious Parisian publisher of erotic and banned books like \u003c\/span\u003e\u003cspan\u003eLolita\u003c\/span\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cspan\u003eThe Story of O, Naked Lunch \u003c\/span\u003e\u003cspan\u003eand Alexander Trocchi’s \u003c\/span\u003e\u003cspan\u003eHelen and Desire\u003c\/span\u003e\u003cspan\u003e, which was the inspiration behind one of McLaren’s iconic punk designs for SEX: the “I Groaned With Pain” T-shirt.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA Year on Earth with Mr. Hell has garnered accolades from none other than Bret Easton Ellis, Greil Marcus, Matthew D’Ancona, Edmund White, Michael Bracewell and Helen Rumbelow of The Times.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eABOUT YOUNG KIM \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eYoung Kim grew up in Long Island, New York, before studying history at Yale University. After teaching English for one year in the former East Germany, she then completed the first year of law school at N.Y.U. before abandoning it in favor of her passion for the creative world. This led her to Paris to study fashion. During her second year in Paris, she met Malcolm McLaren and immediately commenced a romantic relationship. After a stint in the fashion world, including as an editor of \u003c\/span\u003e\u003cspan\u003eV Magazine\/ Visionaire\u003c\/span\u003e\u003cspan\u003e, she started working exclusively with McLaren in 2000 as his producer and creative partner on projects in art, fashion, music, film, theatre, advertising, and media, until his death in 2010. As the sole executor and heir of the Estate of Malcolm McLaren, she continues to work in the same worlds as well as writing. She has published pieces in \u003c\/span\u003e\u003cspan\u003eVogue \u003c\/span\u003e\u003cspan\u003eUS, \u003c\/span\u003e\u003cspan\u003eHoliday\u003c\/span\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cspan\u003eDrugstore Culture\u003c\/span\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cspan\u003eGQ \u003c\/span\u003e\u003cspan\u003eUK\u003c\/span\u003e\u003cspan\u003e, Liber, A Rabbit’s Foot, The Evening Standard \u003c\/span\u003e\u003cspan\u003eand \u003c\/span\u003e\u003cspan\u003eGagosian Quarterly\u003c\/span\u003e\u003cspan\u003e. She lives between Paris and New York. \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"YOUNG KIM","offers":[{"title":"Default Title","offer_id":45432297062681,"sku":"","price":45.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/5024\/2841\/files\/IMG_81572.jpg?v=1686538786"},{"product_id":"ebecho-muslimova-fatebe-volume-1","title":"EBECHO MUSLIMOVA \/ FATEBE Volume 1","description":"\u003cp\u003e\u003cstrong\u003eEbecho Muslimova\u003cbr\u003e\u003c\/strong\u003e\u003cem\u003eFATEBE Volume 1  \u003c\/em\u003e2016\u003cbr\u003eSoftcover, 80 pages, \u003cbr\u003e22.5 x 14cm\u003cbr\u003e250 numbered copies\u003cbr\u003eOne Star Press, Paris\u003c\/p\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\"This is the first book of drawings of my beloved Fatebe. Fatebe is a kind of alter ego character I created 5 years ago. She only exists in drawing. I don't know the length of this project but she persists. I hope you love her too.\" E.M.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"first:mt-0 last:mb-0 relative my-20\"\u003eDuring its active years from 2000 to 2019, onestar press boasted a remarkable production line consisting of over 300 books, 300 multiples, and artists' films. The organisation's commitment to granting artists space, freedom, and flexibility in realising their creative concepts, along with its embrace of new technologies, fostered fruitful collaborations with international artists across a wide array of projects.\u003c\/p\u003e\n\u003cp class=\"first:mt-0 last:mb-0 relative my-20\"\u003eonestar press held a steadfast vision when it came to contemporary creation, maintaining a non-didactic and diversified approach. This vision manifested in their publication of artists from different generations, countries, and perspectives, effectively serving as a subjective \"encyclopedia\" that reflects our multifaceted civilisation.\u003c\/p\u003e","brand":"EBECHO MUSLIMOVA","offers":[{"title":"Default Title","offer_id":45620228292889,"sku":"","price":85.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/5024\/2841\/files\/Folio_006_20191359-6ce9-43e2-a809-d17a31f4d880.jpg?v=1688473207"},{"product_id":"mindy-seu-cyberfeminism-index","title":"MINDY SEU \/ Cyberfeminism Index","description":"\u003cp\u003e\u003cstrong\u003eMindy Seu\u003cbr\u003e\u003c\/strong\u003e\u003cem\u003eCyberfeminism Index  \u003c\/em\u003e2023\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSoftcover, 560 pages\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e24 x 17cm\u003cbr data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eInventory Press, \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eLos Angeles\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eCondition: new\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003ci\u003eCyberfeminism Index\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003eis a collection of resources for techno-critical works from 1990–2020, gathered and facilitated by Mindy Seu.\u003c\/p\u003e\n\u003cp class=\"p2\"\u003eIn\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eCyberfeminism Index,\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003ehackers, scholars, artists, and activists of all regions, races and sexual orientations consider how humans might reconstruct themselves by way of technology. When learning about internet history, we are taught to focus on engineering, the military-industrial complex, and the grandfathers who created the architecture and protocol, but the internet is not only a network of cables, servers, and computers. It is an environment that shapes and is shaped by its inhabitants and their use.\u003c\/p\u003e\n\u003cp class=\"p2\"\u003eThe creation and use of the\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eCyberfeminism Index\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eis a social and political act. It takes the name cyberfeminism as an umbrella, complicates it, and pushes it into plain sight. Edited by designer, professor, and researcher Mindy Seu, it includes more than 700 short entries of radical techno-critical activism in a variety of media, including excerpts from academic articles and scholarly texts; descriptions of hackerspaces, digital rights activist groups, and bio-hacktivism; and depictions of feminist net art and new media art.\u003c\/p\u003e\n\u003cp class=\"p2\"\u003eBoth a vital introduction for laypeople and a robust resource guide for educators,\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eCyberfeminism Index\u003c\/i\u003e—an anti-canon, of sorts—celebrates the multiplicity of practices that fall under this imperfect categorization and makes visible cyberfeminism’s long-ignored origins and its expansive legacy.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eContributors include: Skawennati, Charlotte Web, Melanie Hoff, Constanza Pina, Melissa Aguilar, Cornelia Sollfrank, Paola Ricaurte Quijano, Mary Maggic, Neema Githere, Helen Hester, Annie Goh, VNS Matrix, Klau Chinche \/ Klau Kinky and Irina Aristarkhova.\u003c\/span\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e","brand":"MINDY SEU","offers":[{"title":"Default Title","offer_id":47379121144089,"sku":"","price":73.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/5024\/2841\/files\/seu-web.jpg?v=1699672173"},{"product_id":"david-wojnarowicz-dear-jean-pierre","title":"DAVID WOJNAROWICZ \/ Dear Jean Pierre","description":"\u003cp\u003e\u003cstrong\u003eDavid Wojnarowicz\u003c\/strong\u003e\u003cbr\u003e\u003cem\u003eDear Jean Pierre\u003c\/em\u003e  2023\u003cbr\u003eSoftcover, 616 pages\u003cbr\u003e21.5 x 28cm\u003cbr\u003ePrimary Information, NY\u003c\/p\u003e\n\u003cp\u003eCondition: new\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eThe whopping 616 page epic softcover from Primary Information; Dear Jean Pierre\u003cspan\u003e collects the David \u003cmeta charset=\"utf-8\"\u003eWojnarowicz’s transatlantic correspondence to his Parisian lover Jean Pierre Delage between 1979 and 1982. Capturing a truly foundational moment for Wojnarowicz’s artistic and literary practice, these letters not only reveal his captivating personality—and its concomitant tenderness, compassion, and neuroses—but also index the development of the visual language that would go on to define him as one of the preeminent artists of his generation.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eDavid Wojnarowicz (1954-1992) was born in Red Bank, New Jersey. Wojnarowicz channeled a vast accumulation of raw images, sounds, memories and lived experiences into a powerful voice that was an undeniable presence in the New York City art scene of the 1970s, 80s and early 90s. Through his several volumes of fiction, poetry, memoirs, painting, photography, installation, sculpture, film and performance, Wojnarowicz left a legacy, affirming art’s vivifying power in a society he viewed as alienating and corrosive. His use of blunt semiotics and graphic illustrations exposed what he felt the mainstream repressed: poverty, abuse of power, blind nationalism, greed, homophobia and the devastation of the AIDS epidemic. 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It documents a lesser-known history of the inception of digital art, countering conventional narratives by focusing entirely on female figures. Comprising more than 100 works by 50 artists from 14 countries, it spans a period from the first years of integrated circuit computing in the 1960s to the \"microcomputer revolution,\" which led to the birth of home computing in the 1980s. This extensive publication includes three new essays by Tina Rivers Ryan, Margit Rosen and the exhibition's curator, Michelle Cotton. 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The publication includes a full transcript of the 'conversation' between the two programs; documentation and ephemera from the performance; Smith’s reflections on the night; and an afterword by scholar and artist Mashinka Firunts Hakopian.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003ci\u003eI Am Abandoned\u003c\/i\u003e\u003cspan\u003e was part of the exhibition \u003c\/span\u003e\u003ci\u003eThe Many Arts and Sciences\u003c\/i\u003e\u003cspan\u003e at the California Institute of Technology (Caltech) and rather than simply celebrate new technology, Smith also sought to challenge what she saw as a 'built-in problem' that 'computers were only a new example of the male hypnosis'. In collaboration with computer scientist Dick Rubinstein, she enlisted the computer science teams at Caltech and the Massachusetts Institute of Technology to mount a conversation between a program named DOCTOR, which was designed to be a surrogate therapist, and another named PARRY, which was trained to mimic a paranoid schizophrenic patient.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eWhile the computer operator worked in the next room, each new page of the conversation was projected on the wall where a model dressed as \u003c\/span\u003e\u003ci\u003eThe Clothed Maja\u003c\/i\u003e\u003cspan\u003e reclined beneath the text, with a slide of the nude version of the same painting, \u003c\/span\u003e\u003ci\u003eThe Naked Maja\u003c\/i\u003e\u003cspan\u003e, projected onto her. The audience was rapt with attention for the livestreamed conversation. The performance went on for nearly two hours, before the model eventually grew furious from being ignored (abandoned) by the computer operator, stormed over, and attempted to seduce him. Shortly after, the gallery director pulled the plug on the entire event, claiming it distracted the audience for too long from the other works on view.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eTo revisit \u003c\/span\u003e\u003ci\u003eI Am Abandoned\u003c\/i\u003e\u003cspan\u003e today is to see the artistic and truly liberatory potential that art can have when it intervenes in new technologies. Much like the original performance, in which the model grew alienated from the proceedings, what gradually emerges are the stakes these new technologies present. Against today’s backdrop of AI and a still male-dominated tech field, Smith’s early work with emerging technologies, and in this case chatbots, is prophetic and hints at the contemporary conversation around the gendered and racialized machinic biases of our current computational landscape. Though Smith, like many women of her generation, was overlooked by the landmark surveys of art and technology during the 1960s and 70s, her career incisively probed new technologies, using them to question gender dynamics, community, and self. Her projects from the Coffin books (1966–67), created with a 914 Xerox copier in her dining room, to performances like \u003c\/span\u003e\u003ci\u003eOutside Chance\u003c\/i\u003e\u003cspan\u003e (1975), which created a small snow squall in Las Vegas out of 3,000 unique, computer-generated snowflakes, and the interactive \u003c\/span\u003e\u003ci\u003eField Piece\u003c\/i\u003e\u003cspan\u003e (1971), where participants’ movements altered the soundscape of a fiberglass forest, all exemplify her open-ended approach to art and tech. 'Each person lit their own way,' Smith remembers, 'And produced their own soundtrack.'\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eBarbara T. Smith is an important figure in the history of feminist and performance art in Southern California. 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Released with the reopening of Dia Chelsea in New York, this handy guidebook maps Dia Art Foundation’s constellation of 11 art spaces across the globe. 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He was also a writer. This volume, the first comprehensive collection of writings by the artist, includes seminal interviews, chitchats, jokes, performance reports, insightful statements and letters in essay form, as well as rare documents, such as early surviving leaflets, typewriter handouts and hard-to-find articles. Spanning 1971–2023, the book unlocks the work of an artist considered to be a refreshing role model for a new generation of culture mavens and style savants. Drawing from literature, modernist architecture, interior design, art theory, glam rock and camp culture, the collection reveals the artist’s inner self alongside the art, social flânerie and the goings-on of his time. Entertaining and witty, the texts stand out brilliantly with their early acumen and inclusivity, while setting a new template for an expression of queerness through writing. With access to Chaimowicz’s personal material and photographs, curator and editor Alexis Vaillant is a guide to the artist’s writings. Vaillant provides behind-the-scenes commentary and context—a time capsule of pleasure featuring Andy Warhol, Des Esseintes, Josef Frank, David Bowie, Vito Acconci, Eileen Gray, Alex Kapranos, Jean Cocteau, Elsa Schiaparelli, Jean Genet, Bob Dylan, Emma Bovary and Roger Cook, among others. 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In 1965, what seemed to be a group show by then \"hot\" artists (Andy Warhol, Jasper Johns, Roy Lichtenstein, George Segal, and James Rosenquist, among others) was in fact Sturtevant's first solo exhibit, every work in it created by herself.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eSturtevant would continue to make her work the work of others. The subject of major museum exhibitions throughout Europe and awarded the Golden Lion for lifetime achievement at the 54th Venice Biennale, she will have a major survey at the MoMA, New York, in 2014.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eIn Under the Sign of [sic], Bruce Hainley unpacks the work of Sturtevant, providing the first book-length monographic study of the artist in English. Hainley draws on elusive archival materials to tackle not only Sturtevant's work but also the essential problem that it poses. 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Published by Zurich's Innen in 2025, this compact staple-bound publication presents Onishi's contemporary photographic practice in an intimate, accessible format. Part of the growing wave of Japanese photobook culture being distributed internationally through independent publishers and specialty bookshops. Fresh from the press—a first edition collector's item documenting emerging Japanese photography.\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cmeta charset=\"utf-8\"\u003eEdited by Hiroshi Iguchi and Hi Bridge Books.\u003c\/p\u003e","brand":"YOSUKE ONISHI","offers":[{"title":"Default Title","offer_id":51968587170073,"sku":null,"price":30.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/5024\/2841\/files\/011_57c87c25-3718-444b-a035-8ea7e8208dd3.jpg?v=1770851184"},{"product_id":"ariana-reines-the-rose","title":"ARIANA REINES \/ The Rose","description":"\u003cp\u003e\u003cstrong\u003eAriana Reines\u003cbr\u003e\u003c\/strong\u003e\u003cem\u003eThe Rose \u003c\/em\u003e2026\u003cbr\u003eSoftcover, 144 pages\u003cbr\u003e19.5 x 13cm\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ePenguin Books Ltd\u003c\/span\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cspan\u003eThe force that drives \u003c\/span\u003e\u003ci\u003eThe Rose\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003eis volcanic desire – and its self-imposed restriction. Digging deep into the ironies and raptures of true ‘Romance’, award-winning poet Ariana Reines measures the real thing against the love (or should we say sex) that poetry has always depended on.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cem\u003e\u003cstrong\u003eFollowing the cancellation of Ariana Reines’s reading at Landslide, we are offering copies of her new book, The Rose, at a discounted price of $19.5.\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe Rose is one of Ariana’s most intimate and uncompromising works to date: a book of poems circling desire, romance, surrender, spirituality, and power with extraordinary intensity and clarity. Moving between tenderness and brutality, humour and confession, the collection approaches love not as fantasy but as something transformative, unstable, and deeply embodied.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eWe’re disappointed not to be able to welcome Ariana to the shop at this time, but we’re very pleased to have copies of the book available here in Sydney.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBooks can be collected in-store on Fridays and Saturdays, or shipped for a small fee.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"ARIANA REINES","offers":[{"title":"Default Title","offer_id":52361519595801,"sku":null,"price":24.99,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/5024\/2841\/files\/08052026.jpg?v=1778200538"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/5024\/2841\/collections\/MELSX-P0084-Suite-Spot-Living.16x9_ef28c334-7af3-4064-a3a3-e7ca822fdb6b.webp?v=1780292316","url":"https:\/\/landslide.sydney\/collections\/the-standardx-suite-copy.oembed","provider":"Landslide","version":"1.0","type":"link"}