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Through the eyes of Thivai, a pirate, and Abhor, a half-human, half-robot woman, Acker crafts a scathing critique of societal decay and an urgent search for alternative myths and futures. 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Both powerful and lyrical, his practice combines a profoundly unsettling blend of images and histories. Bringing together affective memories that touch on US history, violence, repression, modalities of survival and how these exist in the production and dissemination of images, music, sound and time-based media, Jafa reflects on the ontology of race and Blackness. This richly illustrated catalog reproduces key works from Jafa's wide-ranging oeuvre and explores the philosophical, historical and artistic implications of his practice, featuring essays and a series of conversations between Jafa and key practitioners working in the fields of cinema, arts and theory.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"ARTHUR JAFA","offers":[{"title":"Default Title","offer_id":51299560390937,"sku":null,"price":130.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/5024\/2841\/files\/011_d64789eb-27d2-4727-be09-f30e58d869b0.jpg?v=1757748236"},{"product_id":"yuk-hui-post-europe","title":"YUK HUI \/ Post-Europe","description":"\u003cp\u003e\u003cstrong\u003eYuk Hui\u003c\/strong\u003e\u003cbr\u003ePost-Europe, 2024\u003cbr\u003ePaperback, 144 pages \u003cbr\u003e15.2 cm x 20.3 cm\u003cbr\u003eUrbanomic\/Sequence Press\u003c\/p\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003eToday, we increasingly live in a state of becoming-homeless, while our homelessness also produces a desire for some form of homecoming, as is evident in the rise of conservative and neoreactionary movements worldwide.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003eWith the unstoppable advance of global capitalism, the\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eHeimatlosigkeit\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003e(homelessness) which twentieth-century European philosophers spoke of, and which Heidegger declared had become the ‘destiny of the world’, is set to become ever more pathological in its consequences. 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The planetary spread of technology may have released modern science and technology from being exclusively European assets, but it has also propagated a set of cognitive models that bar us from thinking otherwise, and put in place a global axis of time through which European modernity becomes the synchronising metric of all civilisations.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003eFollowing Novalis’s suggestion that philosophy is a form of homesickness, Jacques Derrida’s claim that philosophy is intrinsically European, and Bernard Stiegler’s insistence that philosophy’s\u003cspan\u003e \u003c\/span\u003e\u003ci\u003elogos\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003eis inextricable from the\u003cspan\u003e \u003c\/span\u003e\u003ci\u003etechne\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003eof technology, in\u003cspan\u003e \u003c\/span\u003e\u003ci\u003ePost-Europe\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003eYuk Hui envisions a project of a post-European thinking. 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Richly illustrated and arranged by acclaimed designer Joseph Logan, this book documents the pavilion’s existence through the summer season, inhabited by live events from experimental music to spiritual workshops. Photographs of this “space of deep reflection” highlight Gates’ seven tar paintings produced for the installation, as well as the bronze bell sourced from a Chicago Catholic church placed outside to mark performances. Supplementing the images is new writing from architects, artists and musicians reflecting on Gates’ pavilion. 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