{"title":"ARTSPACE","description":"","products":[{"product_id":"rachel-rose","title":"RACHEL ROSE \/ Rachel Rose","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eRachel Rose\u003cbr\u003e\u003c\/strong\u003e\u003cem\u003eRachel Rose  \u003c\/em\u003e2020\u003cbr\u003eSoftcover, 240 pages\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e22 x 29cm\u003cbr\u003eWalther Koenig, \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eKöln\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eCondition: New\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eNew York–based artist Rachel Rose (born 1986) approaches visual storytelling as a sensory experience informed by key elements of the human experience: our relationship to landscape and the belief systems that have developed around ideas of mortality. 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Hundreds of photos are gathered in this one volume along with band histories (DAM liner notes, notes on the history of DAM magazine, discography, flyers, lyrics, text of DAM interviews itself, record reviews, artwork from the 1970s era DAM and unpublished material. Each book contains one original hand-made psychedelic splatter painting. A total of three editions of “Geisha This” were made. Each edition cover was printed in different colors, collated by hand in a different sequence with different and altered content, similar to the DAM magazines made in the 1970s.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003ci\u003eDestroy All Monsters\u003c\/i\u003e\u003cspan\u003e started out as an anti-rock band: four midwestern art students - Jim Shaw, Mike Kelley, Cary Loren, and Niagara - with a mission to subvert the airwaves. 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Reaching back from the transatlantic slave trade to Emancipation, the Industrial Revolution, and the Great Migration from the rural South to the industrialised North, Brown details an extended history of techno rooted in the transformation of urban centres and the new forms of industrial capitalism that gave rise to the African American working class. Following the groundbreaking work of key early players like The Belleville Three, the multimedia output of Underground Resistance and the myth-science of Drexciya, Brown illuminates the networks of collaboration, production, and circulation of techno from Detroit to other cities around the world.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAssembling a Black Counter Culture\u003c\/em\u003e\u003cspan\u003e reframes techno from a Black theoretical perspective distinct from its cultural assimilation within predominantly white, European electronic music contexts and discourse. 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As the virtual world(s) and real life are increasingly merging, artists reflect on and productively alienate the tools and platforms on hand to produce a future that is worth living in—offline and online.\u003c\/p\u003e\n\u003cp\u003eTo relate historical claims and visions of cyber-feminism to the current situation, as well as to different feminist approaches which focus on the tension between body and technology and discriminatory gender norms, this publication gathers together works and approaches by Cao Fei, Cécile B. Evans, Guan Xiao, Lynn Hershman Leeson, Juliana Huxtable, Mary Maggic, Malaxa, Shana Moulton, Tabita Rezaire, Gavin Rayna Russom, Frances Stark, Wu Tsang, Anna Uddenberg, VNS Matrix, and Anicka Yi.\u003c\/p\u003e\n\u003cp\u003eNewly commissioned essays by Elsa Himmer, Heike Munder, Paul B. Preciado, Yvonne Volkart, and Joanna Walsh.\u003c\/p\u003e\n\u003cp\u003ePublished with the Migros Museum für Gegenwartskunst, Zurich, on the occasion of the exhibition “Producing Futures: An Exhibition on Post-Cyber-Feminisms,” February 16–May 12, 2019.\u003c\/p\u003e","brand":"ANICKA YI","offers":[{"title":"Default Title","offer_id":45548060803353,"sku":"","price":120.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/5024\/2841\/files\/ProducingFutures_19s_1024x1024_46f9f5b4-452c-413a-8493-1519f743d1c1.jpg?v=1687869301"},{"product_id":"ebecho-muslimova-fatebe-volume-1","title":"EBECHO MUSLIMOVA \/ FATEBE Volume 1","description":"\u003cp\u003e\u003cstrong\u003eEbecho Muslimova\u003cbr\u003e\u003c\/strong\u003e\u003cem\u003eFATEBE Volume 1  \u003c\/em\u003e2016\u003cbr\u003eSoftcover, 80 pages, \u003cbr\u003e22.5 x 14cm\u003cbr\u003e250 numbered copies\u003cbr\u003eOne Star Press, Paris\u003c\/p\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\"This is the first book of drawings of my beloved Fatebe. 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Then in 1950 Charles and Ray Eames mass produced their iconic fiberglass chair with Herman Miller, Inc. In 1951, Camtray (now renamed as Cambro) began manufacturing fiberglass trays in Huntington Beach, CA. Many years later, in 2017, onestar press invited Lawrence Weiner to design an open edition serving tray produced by Cambro.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eLawrence Weiner used his trademark font and came up with the following text : AS OFTEN AS NOT. The artist then concluded: LET US GET SOME DRINKS ON THE TRAY!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"first:mt-0 last:mb-0 relative my-20\"\u003eDuring its active years from 2000 to 2019, onestar press boasted a remarkable production line consisting of over 300 books, 300 multiples, and artists' films. The organisation's commitment to granting artists space, freedom, and flexibility in realising their creative concepts, along with its embrace of new technologies, fostered fruitful collaborations with international artists across a wide array of projects.\u003c\/p\u003e\n\u003cp class=\"first:mt-0 last:mb-0 relative my-20\"\u003eonestar press held a steadfast vision when it came to contemporary creation, maintaining a non-didactic and diversified approach. 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The organisation's commitment to granting artists space, freedom, and flexibility in realising their creative concepts, along with its embrace of new technologies, fostered fruitful collaborations with international artists across a wide array of projects.\u003c\/p\u003e\n\u003cp class=\"first:mt-0 last:mb-0 relative my-20\"\u003eonestar press held a steadfast vision when it came to contemporary creation, maintaining a non-didactic and diversified approach. This vision manifested in their publication of artists from different generations, countries, and perspectives, effectively serving as a subjective \"encyclopedia\" that reflects our multifaceted civilisation.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"RIRKRIT TIRAVANIJA","offers":[{"title":"Default Title","offer_id":45621114143001,"sku":"","price":235.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/5024\/2841\/files\/RT.jpg?v=1692086578"},{"product_id":"lawrence-weiner-deep-blue-sky-light-blue-sky-2","title":"LAWRENCE WEINER \/ Deep blue sky \/ Light blue sky 2","description":"\u003cp\u003e\u003cstrong\u003eLawrence Weiner\u003cbr\u003e\u003c\/strong\u003e\u003cem\u003eDeep blue sky \/ Light blue sky 2  \u003c\/em\u003e2007\u003cbr\u003eSoftcover, 150 pages\u003cbr\u003e22.5 x 14cm\u003cbr\u003eSecond edition, printed in blue\u003cbr\u003e600 numbered copies\u003cbr\u003eOne Star Press\u003c\/p\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp class=\"first:mt-0 last:mb-0 relative my-20\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eAn artists book by Lawrence Weiner incorporating texts and diagram drawings that plays on maritime theme and passages. 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This vision manifested in their publication of artists from different generations, countries, and perspectives, effectively serving as a subjective \"encyclopedia\" that reflects our multifaceted civilisation.\u003c\/p\u003e","brand":"LAWRENCE WEINER","offers":[{"title":"Default Title","offer_id":45621425766681,"sku":"","price":185.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/5024\/2841\/files\/Folio_008_0168338c-39aa-42a6-a4c4-c613b9e98ab0.jpg?v=1688470810"},{"product_id":"john-baldessari-nose-peak","title":"JOHN BALDESSARI \/ Nose Peak","description":"\u003cp\u003e\u003cstrong\u003eJohn Baldessari\u003cbr\u003e\u003c\/strong\u003e\u003cem\u003eNose Peak  \u003c\/em\u003e2015\u003cbr\u003eSoftcover, 126 pages\u003cbr\u003e22.5 x 14cm, 250 numbered copies\u003cbr\u003eOne Star Press, Paris\u003c\/p\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eIt should be said that Baldessari’s penchant for depicting noses in his work extends as far back as 1965 with the conception of \"God Nose\", one of the artist’s very few pre-1965 paintings to have survived.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eHere, with his onestar press edition, Baldessari conceives a book about a nose, with a nose, wherein the artist’s famed subject appears and disappears upon a series of pages, in one fluid sweep.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"first:mt-0 last:mb-0 relative my-20\"\u003eDuring its active years from 2000 to 2019, onestar press boasted a remarkable production line consisting of over 300 books, 300 multiples, and artists' films. The organisation's commitment to granting artists space, freedom, and flexibility in realising their creative concepts, along with its embrace of new technologies, fostered fruitful collaborations with international artists across a wide array of projects.\u003c\/p\u003e\n\u003cp class=\"first:mt-0 last:mb-0 relative my-20\"\u003eonestar press held a steadfast vision when it came to contemporary creation, maintaining a non-didactic and diversified approach. This vision manifested in their publication of artists from different generations, countries, and perspectives, effectively serving as a subjective \"encyclopedia\" that reflects our multifaceted civilisation.\u003c\/p\u003e","brand":"JOHN BALDESSARI","offers":[{"title":"Default Title","offer_id":45621574697241,"sku":"","price":85.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/5024\/2841\/files\/Folio_009_1fc5d723-3e32-41a9-81a0-029b28a2acc3.jpg?v=1688471940"},{"product_id":"hannah-quinlan-rosie-hastings-gay-betrayals","title":"HANNAH QUINLAN \u0026 ROSIE HASTINGS \/ Gay Betrayals","description":"\u003cp\u003e\u003cstrong\u003eHannah Quinlan \u0026amp; Rosie Hastings \u003cbr\u003e\u003c\/strong\u003e\u003cem\u003eGay Betrayals  \u003c\/em\u003e2020\u003cbr\u003eSoftcover, 102 pages. 21 x 15cm\u003cbr\u003eAfterall Books\u003c\/p\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eBersani’s intervention champions a truly disruptive vision of homosexuality, one that betrays the foundations of bourgeois heterosexual respectability. Building on artistic research into the politics of queer spaces and culture some 20 years later, Hannah Quinlan and Rosie Hastings revisit Bersani’s polemic. Through a kaleidoscopic array of drawings, preparatory sketches and egg tempera paintings, a narrative of everyday (homo)sociality emerges.In 1997, during a symposium at Centre Pompidou, pioneering queer theorist Leo Bersani presented a prescient critique of the assimilative tendencies that made 'gays melt into the very culture they like to think of themselves as undermining'. Leo Bersani (1931–2022) was an American theorist best known for his books 'Is the Rectum a Grave?', 'Homos' and 'Receptive Bodies'. Born in the Bronx, he graduated from Harvard in 1952 and eventually joined the University of California, Berkeley, where he became an influential teacher, remaining there for the rest of his career.\u003c\/span\u003e\u003c\/p\u003e","brand":"HANNAH QUINLAN \u0026 ROSIE HASTINGS","offers":[{"title":"Default Title","offer_id":45914970521881,"sku":"","price":35.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/5024\/2841\/files\/Screenshot_2022-07-12_at_111928.jpg?v=1690374576"},{"product_id":"rachel-harrison-sitting-in-a-room","title":"RACHEL HARRISON \/ Sitting in a Room","description":"\u003cp\u003e\u003cstrong\u003eRachel Harrison\u003cbr\u003e\u003c\/strong\u003e\u003cem\u003eSitting in a room  \u003c\/em\u003e2023\u003cbr\u003eHardcover, 220 pages\u003cbr\u003e23 x 30cm\u003cbr\u003eGregory R. Miller \u0026amp; Co.\/Astrup Fearnley Museum\u003c\/p\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRachel Harrison's new book highlights recent work and published in conjunction with her exhibition at the Astrup Fearnley Museum. Spanning mediums that include sculpture, drawing, photography and painting, Harrison’s nimble, layered method has always escaped easy categorisation. This volume documents the show’s distinctive format, with each gallery conceived as a specific room. Abstraction is shot through with vernacular references to jarring, often comic effect, as formalist concerns are forced to vie with rogue elements from the outside world. From Sculpture Court to Town Square, Gym, Living Room and Cabinet, the exhibition places the viewer in contexts both intimate and public, and the original essays commissioned here expand and deepen those trajectories. Designed by Joseph Logan in close collaboration with the artist, this richly illustrated volume includes Harrison's own photography of Sitting in a Room and reflects her unique approach to the making of both exhibitions and the catalogues that outlast them.\u003c\/span\u003e\u003c\/p\u003e","brand":"RACHEL HARRISON","offers":[{"title":"Default Title","offer_id":45915064992025,"sku":"","price":115.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/5024\/2841\/files\/9788293654209_720x_8496b97f-13b8-4898-b09a-5bbdd33514d4.webp?v=1690376223"},{"product_id":"richard-prince-new-paintings","title":"RICHARD PRINCE \/ New Paintings","description":"\u003cp\u003e\u003cstrong\u003eRichard Prince\u003cbr\u003e\u003c\/strong\u003e\u003cem\u003eNew Paintings  \u003c\/em\u003e2022\u003cbr\u003eHardcover, 377 pages, 32 x 22.5cm\u003cbr\u003eFulton Ryder\u003c\/p\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003eRichard Prince (born 1949) continues his revival of the Fulton Ryder imprint with an artist’s book that is both a monograph of new artworks and an expansive written statement on art history, personal biography and the contemporary impulse to create self-images. At first glance, the New Paintings are in a similar vein as Prince’s New Portraits. However, unlike that series, the New Paintings focuses on portraits of painters painting on Instagram, very often with back to the camera, facing away from the viewer. The resulting images are ambiguously manipulated; the series is self-described as an act of “social science fiction.” The image captions, integral to the artwork, contain a dense “Bird Talk” text, including ambiguous autobiography and art history commentary.\u003c\/p\u003e\n\u003cp\u003eJoan Katz offers some explanation in a comment found in a New Painting, stating: “Deep Nostalgia. Legitimate Doubts. Safeguards to prevent misuse. Digital imitation. Resemblance without manipulations. Skilled impersonations. Staged illusions. Imitation of Life (the sequel). 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The articulation of the codex, as a space of semantically generative relations, has rarely (if ever) been subject to so highly focused and detailed a study. The text and graphical presentation are fully integrated, co-dependent, and mutually self-reflexive. This small book work should be of interest to writers, bibliographers, designers, conceptual artists, and anyone interested in the meta-language of diagrammatic thought in graphic form.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003eJohanna Drucker is a writer and book artist known for her work in experimental typography. She has published and lectured widely on topics related to the history of the book, contemporary art, graphic design, and digital aesthetics. She is the Breslauer Professor of Bibliographical Studies in the Information Studies Department at the University of California, Los Angeles. Drucker wrote this text during residence at the Banff Art Centre, February 12-18, 2013.\u003c\/span\u003e\u003c\/p\u003e","brand":"JOHANNA DRUCKER","offers":[{"title":"Default Title","offer_id":46342626115865,"sku":"","price":25.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/5024\/2841\/files\/011_cadda859-0cdc-493c-9663-26994c9ae80e.jpg?v=1763000344"},{"product_id":"jim-shaw-my-mirage","title":"JIM SHAW \/ My Mirage","description":"\u003cp\u003e\u003cstrong\u003eJim Shaw\u003cbr\u003e\u003c\/strong\u003e\u003cem\u003eMy Mirage  \u003c\/em\u003e2011\u003cbr\u003eSoftcover, 215 pages\u003cbr\u003e25.9 x 20cm\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eJrp Ringier\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eCondition: New\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eCatalogue documenting the complete \"My Mirage\" series of works by Jim Shaw. Edited by Fabrice Stroun and Lionel Bovier. Essay by Fabrice Stroun.\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv class=\"productDescriptionWrapper\"\u003e\n\u003cp class=\"object-synopsis short\"\u003e“My Mirage” (1986-1991) is the first major body of work by Jim Shaw (*1952), an artist from Los Angeles who started exhibiting in the late 1970s. Composed of nearly 170 pieces—each one drawn, silk-screened, photographed, sculpted, filmed or painted in a different style—”My Mirage” recounts the wandering of Billy, a white, middle-class American sucked into the whirlwind of the 1960s and 1970s. His is a story of unceasing failure. After an anxious childhood, Billy later withdraws from the guilt-wracked spasms of adolescence in order to lose himself in a psychedelic utopia, which soon becomes a nightmare. In the depth of psychotic hallucinations, he follows a woman who he worships into a pagan sect, before finally returning to the religion of his youth, “reborn” as a fundamentalist Christian. Each piece appropriates an image taken from an extremely broad iconographic field ranging from children’s book to contemporary art and including comics, religious literature, and psychedelic posters. As a narrative, “My Mirage” is structured like a “Bildungsroman,” with successive chapters structuring the various, gradual mutations of Billy. This narrative appears and disappears, like a mirage, according to the distance of the observer, depending on whether one considers Shaw’s image to be aggregate of heterogeneous source, moments of a personal history, or fragments of a collective cultural history. Hence while creating a quasi-encyclopedic compendium of American vernacular iconography (which includes a page from a high-school yearbook, a thrift store painting, countless grass-root, counter-culture graphic designs, as well as late 1970s neo-Christian propaganda), “My Mirage” thus provides a social and cultural image of an individual in the 1960s and 1970s and, moreover, produces a sharp analysis of the evolution of the subject through the cultural and social history of that era.\u003cbr\u003e\u003cbr\u003eFrom the onset of the series, “My Mirage” has been constructed with the idea of the book as model. Not only does the overarching narrative takes the form of a coming of age novel, but many of the individual pieces make direct reference to a book format. Created in close collaboration with Jim Shaw, the book thus presents itself as the culmination of the artist’s original project. “My Mirage—The Book” will allow Jim Shaw’s ever-growing audience to look at the whole of Billy’s story for the first time. Furthermore, its format and content should appeal to a wide readership, beyond contemporary art, which includes anyone interested in the history of the counter-culture of the 1960s and 1970s, American graphic design and popular illustration.\" --publisher's statement.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"JIM SHAW","offers":[{"title":"Default Title","offer_id":46343012286745,"sku":"","price":110.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/5024\/2841\/files\/61BcsMTtqaL._AC_UF894_1000_QL80.jpg?v=1692264519"},{"product_id":"nam-june-paik-expose-the-music","title":"NAM JUNE PAIK \/ Expose the Music","description":"\u003cp\u003e\u003cstrong\u003eNam June Paik\u003cbr\u003e\u003c\/strong\u003e\u003cem\u003eExpose the Music\u003c\/em\u003e  2023\u003cbr\u003eHardcover, 250 pages\u003cbr\u003e33 x 23cm\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSpector Books, Leipzig\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eCondition: New\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003eNam June Paik liked to describe himself as “the world’s most famous bad pianist,” alluding to the musical and performative element in his work. 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I often took her for a drive.\u003cbr\u003eIt’s already three years since she disappeared from Nishiki.\u003cbr\u003eEven now, I still think of her sometimes.\u003cbr\u003eThis is a profile of her as she appears in my memory.\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"DAIDO MORIYAMA","offers":[{"title":"Default Title","offer_id":50293862695193,"sku":null,"price":155.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/5024\/2841\/files\/Folio_360.jpg?v=1738479694"},{"product_id":"daido-moriyama-naomi-signed-copy","title":"DAIDO MORIYAMA \/ Momoe (signed)","description":"\u003cp\u003e\u003cstrong\u003eDaido Moriyama\u003cbr\u003e\u003c\/strong\u003e\u003cem\u003eMamoe\u003c\/em\u003e  2021\u003cbr\u003eSoftcover, stapled and printed on canvas, 80 pages\u003cbr\u003e30 x 21cm\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eAkio Nagasawa Publishing, JP\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eLimited edition of 350 copies, signed and numbered.\u003cbr\u003e349\/350\u003c\/p\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cdiv class=\"content unset js-translate-target\"\u003e\n\u003cp\u003e\u003cem\u003eMomoe\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis the extra issue of a four books new series by Daido Moriyama 'Woman in the Night'.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eShe called herself Shinobu in Shinjuku, Hiroko in Minami, Naomi in Nishiki, Yukari in Nakasu.\u003cbr\u003eRumor has it that she is now living quietly in Ishikari where she was born, under the name she was given by her parents.\u003cbr\u003eMomoe. I still think of her every once in a while.\u003cbr\u003eThis is a profile of her that lives on in my memory.\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"DAIDO MORIYAMA","offers":[{"title":"Default Title","offer_id":50511810658585,"sku":null,"price":155.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/5024\/2841\/files\/Folio_353.jpg?v=1741492749"},{"product_id":"daido-moriyama-momoe-signed-copy","title":"DAIDO MORIYAMA \/ Tokyo 1992 (signed)","description":"\u003cp\u003e\u003cstrong\u003eDaido Moriyama\u003cbr\u003e\u003c\/strong\u003e\u003cem\u003eTokyo\u003c\/em\u003e  2023\u003cbr\u003eSoftcover, stapled and printed on canvas, 78 pages\u003cbr\u003e30 x 21cm\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eAkio Nagasawa Publishing, JP\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eLimited edition of 350 copies, signed and numbered.\u003cbr\u003e67\/350\u003c\/p\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cdiv class=\"content unset js-translate-target\"\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThe latest series of silkscreened canvas covers that introduces a collection of photographs taken by Moriyama in Tokyo in 1992; All of the images have never been published before, and this is the first book that includes these unreleased works.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eIn 1992, that’s 31 years ago now, I was in my mid 50s. It was around the time when I closed down the private gallery that I had been running on Miyamasuzaka in Shibuya, and relocated to a space near Yotsuya 4-chome crossing. During the years I had my gallery in Shibuya, there were of course many people visiting the place, so I couldn’t just lock the door and go out whenever I wanted. Until at some point, although being a consequence of my own deeds, it was too much and my impatience got the better of me. All I wanted to do was “go out and take photos!” I didn’t care about what or how to shoot, as long as I could jump out into the street and click away with my camera. Just that. As I had photographed every nook and corner of my new Yotsuya neighborhood in no time, I basically had only the Shinjuku, Shibuya and Ikebukuro areas left to go and explore. The time that followed I spent wandering through the mazes of the city, like a starving dog, like a fish searching for water.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"TOKYO 1992\" contains images that were produced under the circumstances described above. This means that, as books that showcase the fruits of my somewhat uncontrollable urge at the time, \"Daido hysteric no.4\", made in 1993, and \"TOKYO 1992\", made in 2023, are separated by a rather long period of time.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe countless streets and alleys where this starving dog once prowled around, have changed a lot over time. But as a matter of fact, there is a body odor, a sense of desire to those streets, and a play of lights and shades, that never change much. And the old dog, shaky as he has gotten, is still roaming the streets with the camera in his hand. “Taking photos” is such a cool thing after all!\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e-Afterforward by Daido Moriyama\u003c\/p\u003e\n\u003c\/div\u003e","brand":"DAIDO MORIYAMA","offers":[{"title":"Default Title","offer_id":50511830188313,"sku":null,"price":155.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/5024\/2841\/files\/Folio_367.jpg?v=1741493376"},{"product_id":"larry-clark-die-perfekte-kindheit","title":"LARRY CLARK \/ Die Perfekte Kindheit","description":"\u003cp\u003e\u003cstrong\u003eLarry Clark\u003cbr\u003e\u003c\/strong\u003e\u003cem\u003eDie Perfekte Kindheit  \u003c\/em\u003e1993\u003cbr\u003eHardcover, 174 pages\u003cbr\u003e30 x 23.5cm\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eScalo, Zurich\u003c\/span\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eCondition: Fine, minimal wear\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eDie perfekte Kindheit\u003c\/em\u003e\u003cspan\u003e is the rare German version of The Perfect Child. The book includes photographs from “Tulsa” and “Teenage Lust” as well as previously unpublished photographs.\u003c\/span\u003e\u003c\/p\u003e","brand":"LARRY CLARK","offers":[{"title":"Default Title","offer_id":50512059826457,"sku":"","price":450.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/5024\/2841\/files\/Folio_554.jpg?v=1741515419"},{"product_id":"kathy-acker-empire-of-the-senseless","title":"KATHY ACKER \/ Empire of the Senseless","description":"\u003cp\u003e\u003cstrong\u003eKathy Acker\u003cbr\u003e\u003c\/strong\u003e\u003cem\u003eEmpire of the Senseless  \u003c\/em\u003e1988\u003cbr\u003eHardcover, 227 pages\u003cbr\u003e22 x 15cm\u003cbr\u003eGrove Press, New York\u003cbr\u003eFirst edition\u003c\/p\u003e\n\u003cp\u003eCondition: Fine, some foxing on page edges\u003c\/p\u003e\n\u003cp\u003eKathy Acker's \u003cem\u003eEmpire of the Senseless\u003c\/em\u003e is a bold, chaotic journey into a dystopian future where capitalism, patriarchy, and revolution collide. Through the eyes of Thivai, a pirate, and Abhor, a half-human, half-robot woman, Acker crafts a scathing critique of societal decay and an urgent search for alternative myths and futures. Blending science fiction, political critique, and raw, visceral imagery, this novel is an unapologetic exploration of the broken systems that shape our world and the unsettling possibility of something radically different.\u003c\/p\u003e","brand":"KATHY ACKER","offers":[{"title":"Default Title","offer_id":50547657212185,"sku":"","price":110.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/5024\/2841\/files\/Folio_668.jpg?v=1742210552"},{"product_id":"masahisa-fukase-ravens","title":"MASAHISA FUKASE \/ Ravens","description":"\u003cp\u003e\u003cstrong\u003eMasahisa Fukase\u003c\/strong\u003e\u003cbr\u003e\u003cem\u003eRavens \u003c\/em\u003e2017\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eEmbossed linen bound hardback, housed in a silkscreened slipcase, 148 pages\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e26.3 x 26.3 cm\u003cbr\u003e\u003c\/span\u003eMACK, London\u003c\/p\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003e\"Ravens\u003cem\u003e\u003cspan\u003e \u003c\/span\u003eis one of the defining bodies of work in the history of photography and a high point in the photo book genre. This accumulation of accolades, and the passing of time, have obscured much of the fascinating detail which explains the artist’s pre-occupation with this motif throughout his work. It was not simply a reflection of the existential angst and anhedonia he suffered throughout his life but manifested in artistic self-identification with the raven and ultimately spiralled into a solitary existence and artistic practice on the edge of madness. And all this before an untimely accident in 1992, a fall down the stairs of his favourite bar, resulted in him spending the final twenty years before his death with his consciousness suspended and in medical isolation. Fukase became the singular raven frozen by his camera and immortalized on the cover of his most famous book.\"\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e– \u003c\/span\u003eTomo Kosuga from his essay\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eCries of Solitude\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e[2017]\u003c\/p\u003e\n\u003cp\u003eConsistently proclaimed as one of the most important photobooks in the history of the medium,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eRavens\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eby Japanese photographer Masahisa Fukase was first published in 1986 and the two subsequent editions were both short print runs that sold out immediately. This bilingual facsimile of the first edition contains a new text by founder of the Masahisa Fukase Archives, Tomo Kosuga. His essay locates Ravens in Fukase’s wider work and life, and is illustrated with numerous recently discovered photographs and drawings.\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003eFukase’s haunting series of work was made between 1975 and 1986 in the aftermath of a divorce and was apparently triggered by a mournful train journey to his hometown. The coastal landscapes of Hokkaido serve as the backdrop for his profoundly dark and impressionistic photographs of ominous flocks of crows. The work has been interpreted as an ominous allegory for postwar Japan.\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003eMasahisa Fukase (b. 1934, Hokkaido; d. 2012) graduated from the Nihon University College of Art’s Photography Department in 1956. He became a freelance photographer in 1968 after working at the Nippon Design Center and Kawade Shobo Publishers. 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Here is a somewhat forgotten (and underestimated) book from the famous Araki’s photographic archives. A long series of photographs taken in 1979 in the American city. The eye of Araki is exerted here on the strangers in transhumance in the streets of Manhattan. It’s a vision of New York in the late 1970s.\u003c\/p\u003e\n\u003cp\u003e“\u003cem\u003eNobuyoshi Araki goes out into the world with his eyes and a camera. He is looking for things that attract his attention – soft things, hard things, liquid, smoke… Sometimes he tries to photograph things that can’t be photographed – the sound of a girl’s voice laughing, the color of snow, the smell of sex, the darkness\u003c\/em\u003e…” (Jim Jarmusch).\u003c\/p\u003e","brand":"NOBUYOSHI ARAKI","offers":[{"title":"Default Title","offer_id":50753071382809,"sku":"","price":150.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/5024\/2841\/files\/Folio_781.jpg?v=1746689053"},{"product_id":"richard-prince-america-goes-to-war-swimming-in-the-afternoon","title":"RICHARD PRINCE \/ America Goes To War... Swimming In The Afternoon...","description":"\u003cp\u003e\u003cstrong\u003eRichard Prince\u003cbr\u003e\u003c\/strong\u003e\u003cem\u003eAmerica Goes To War... 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The book contains texts and interviews with the group members, all written in Japanese. We obviously also love Barbara Kruger’s signature style of white-on-red Futura typeface in Bold Oblique, and how that same red is printed on the edges of the book. \u003c\/span\u003e\u003c\/p\u003e","brand":"YELLOW MAGIC ORCHESTRA","offers":[{"title":"Default Title","offer_id":50767323332889,"sku":"","price":80.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/5024\/2841\/files\/019_e36f8033-5a8b-4252-a787-f34e778ba8d9.jpg?v=1747050490"},{"product_id":"nan-golden-die-andere-seite-1972-1992","title":"NAN GOLDIN \/ Die Andere Seite 1972-1992","description":"\u003cp\u003e\u003cstrong\u003eNan Goldin \u003c\/strong\u003e\u003cbr\u003e\u003cem\u003eDie Andere Seite 1972-1992  \u003c\/em\u003e1992\u003cbr\u003eHardcover, 143 pages\u003cbr\u003e27.5 x 22.5cm\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eScalo, Zurich\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eCondition: Very good\u003c\/p\u003e\n\u003cp class=\"lead\"\u003eThis is the German version of the collection of works published in 1992 as the English version \"The Other Side\", and is an early work in which a new version was recently announced by Steidl. \"When I lived in Boston when I was a student, I started taking pictures with friends who were seen as outsiders at the time, such as drag queens and transgenders who gathered at the bar \u003cem\u003eThe Other Side\u003c\/em\u003e. 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Both powerful and lyrical, his practice combines a profoundly unsettling blend of images and histories. Bringing together affective memories that touch on US history, violence, repression, modalities of survival and how these exist in the production and dissemination of images, music, sound and time-based media, Jafa reflects on the ontology of race and Blackness. This richly illustrated catalog reproduces key works from Jafa's wide-ranging oeuvre and explores the philosophical, historical and artistic implications of his practice, featuring essays and a series of conversations between Jafa and key practitioners working in the fields of cinema, arts and theory.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"ARTHUR JAFA","offers":[{"title":"Default Title","offer_id":51299560390937,"sku":null,"price":130.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/5024\/2841\/files\/011_d64789eb-27d2-4727-be09-f30e58d869b0.jpg?v=1757748236"},{"product_id":"yuk-hui-post-europe","title":"YUK HUI \/ Post-Europe","description":"\u003cp\u003e\u003cstrong\u003eYuk Hui\u003c\/strong\u003e\u003cbr\u003ePost-Europe, 2024\u003cbr\u003ePaperback, 144 pages \u003cbr\u003e15.2 cm x 20.3 cm\u003cbr\u003eUrbanomic\/Sequence Press\u003c\/p\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003eToday, we increasingly live in a state of becoming-homeless, while our homelessness also produces a desire for some form of homecoming, as is evident in the rise of conservative and neoreactionary movements worldwide.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003eWith the unstoppable advance of global capitalism, the\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eHeimatlosigkeit\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003e(homelessness) which twentieth-century European philosophers spoke of, and which Heidegger declared had become the ‘destiny of the world’, is set to become ever more pathological in its consequences. 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