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He received a B.F.A. in painting from the Massachusetts College of Art, Boston in 1965 and an M.F.A. in painting from the University of Illinois, Champagne-Urbana in 1967. From 1968 to 1970 he taught at the University of Wisconsin. In the fall of 1970 he moved to Southern California where he taught for one year at California State College, Long Beach. In 1971 He moved to Santa Monica. By the early 70s, Wegman’s work was being exhibited in museums and galleries internationally. In addition to solo shows with Sonnabend Gallery in Paris and New York, Situation Gallery in London and Konrad Fisher Gallery in Dusseldorf, his work was included in such seminal exhibitions as “When Attitudes Become Form,” and “Documenta V” and regularly featured in Interfunktionen, Artforum and Avalanche magazines.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eIt was while he was in Long Beach that Wegman got his dog, a Weimaraner who he named Man Ray, and began a long and fruitful collaboration. 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Out of Wegman’s involvement with this cast of characters grew a series of childrens’ books inspired by the dogs’ various acting abilities: Cinderella, Little Red Riding Hood, ABC, Mother Goose, Farm Days, My Town, Surprise Party and Chip Wants a Dog.  Wegman has also published a number of books for adults including Man’s Best Friend, Fashion Photographs, William Wegman 20 x 24, The New York Times Bestseller Puppies, Fay, William Wegman: Paintings and the upcoming Being Human, edited by William Ewing and published by Thames and Hudson fall 2017.\u003c\/p\u003e\n\u003cp\u003eWegman has created film and video works for Saturday Night Live and Nickelodeon and his video segments for Sesame Street have appeared regularly since 1989. In 1995, Wegman’s film The Hardly Boys was screened at the Sundance Film Festival. Wegman has been commissioned to create images for a wide range of projects including a fashion campaign for Acne, banners for the Metropolitan Opera and covers for numerous publications including The New Yorker and, most recently, Wallpaper. Wegman has appeared on The Tonight Show with Johnny Carson and with Jay Leno, The David Letterman Show and The Colbert Report.\u003c\/p\u003e\n\u003cp\u003eWilliam Wegman lives in New York and Maine where he continues to paint, draw, make videos and take photographs with his dogs Flo and Topper.\u003c\/p\u003e","brand":"WILLIAM WEGMAN","offers":[{"title":"Default Title","offer_id":44751430943001,"sku":"","price":250.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/5024\/2841\/products\/Artwork_finalposter_a.jpg?v=1678797013"},{"product_id":"punk-2-1976","title":"PATTI SMITH \/ PUNK #2","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cdiv class=\"_a9zs\"\u003e\n\u003cp class=\"_aacl _aaco _aacu _aacx _aad7 _aade\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eJohn Holmstrom\u003cbr\u003e\u003c\/strong\u003e\u003cem\u003ePUNK #2  \u003c\/em\u003e\u003cspan\u003e1976\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMagazine, 21 x 29cm\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePunk Magazine\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eCondition: Good, light wear. \u003c\/p\u003e\n\u003cp class=\"p1\"\u003eIn 1976, New York was home to a booming counter-culture – and one magazine, Punk, was there to chronicle it all.\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"_aacl _aaco _aacu _aacx _aad7 _aade\"\u003eFounded in 1975 by cartoonist John Holmstrom, publisher Ged Dunn and journalist Legs McNeil.\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"_aacl _aaco _aacu _aacx _aad7 _aade\"\u003eIssue 2 of March 1976 features the two faces of Patti Smith on the cover, with editorial covering the likes of Talking Heads, Patti Smith, Lenny Kaye, and Television.\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv class=\"_ab8w  _ab94 _ab99 _ab9f _ab9m _ab9p _abaj _abb- _abcm\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"_ab8w  _ab94 _ab99 _ab9f _ab9m _ab9p _abaj _abb- _abcm\"\u003e\u003cbr\u003e\u003c\/div\u003e","brand":"JOHN HOLMSTROM","offers":[{"title":"Default Title","offer_id":44770539241753,"sku":"","price":1250.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/5024\/2841\/products\/Issue2.jpg?v=1680439876"},{"product_id":"punk-3-1976","title":"THE RAMONES \/ PUNK #3","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"_a9zs\"\u003e\n\u003cp class=\"_aacl _aaco _aacu _aacx _aad7 _aade\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eJohn Holmstrom\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e\u003cem data-mce-fragment=\"1\"\u003ePUNK #3  \u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e1976\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eMagazine, 21 x 29cm\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePunk Magazine\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"_aacl _aaco _aacu _aacx _aad7 _aade\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eCondition: Good, light wear\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"_aacl _aaco _aacu _aacx _aad7 _aade\"\u003eIn 1976, New York was home to a booming counter-culture – and one magazine, Punk, was there to chronicle it all.\u003cbr\u003e\u003cbr\u003eFounded in 1975 by cartoonist John Holmstrom, publisher Ged Dunn and journalist Legs McNeil.\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eIssue 3 of April 1976 features The Ramones on the cover, with editorial covering the likes of David Johansen, Robert Crumb, the Ramones, and Richard Hell.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"_ab8w  _ab94 _ab99 _ab9f _ab9m _ab9p _abaj _abb- _abcm\"\u003e\u003cbr\u003e\u003c\/div\u003e","brand":"JOHN HOLMSTROM","offers":[{"title":"Default Title","offer_id":44770601500953,"sku":"","price":850.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/5024\/2841\/products\/PunkMag-3.jpg?v=1680439371"},{"product_id":"pranks","title":"RE\/SEARCH \/ Pranks !","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"_aacl _aaco _aacu _aacx _aad7 _aade\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eVarious \u003cbr\u003e\u003c\/strong\u003e\u003cem\u003ePranks !  \u003c\/em\u003e1987\u003cbr\u003eHardback, 333 pages\u003cbr\u003e29 x 23cm\u003cbr\u003eRe\/Search, V.Vale (signed)\u003c\/p\u003e\n\u003cp class=\"_aacl _aaco _aacu _aacx _aad7 _aade\"\u003e\u003cspan\u003eCondition: New \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"_aacl _aaco _aacu _aacx _aad7 _aade\"\u003e\u003cspan\u003eA prank is a \"trick, a mischievous act, a ludicrous act.\" Although not regarded as poetic or artistic acts, pranks constitute an art form and genre in themselves. Here pranksters such as Timothy Leary, Abbie Hoffman, Monte Cazazza, Jello Biafra, Earth First!, Joe Coleman, Karen Finley, John Waters and Henry Rollins (and more) challenge the sovereign authority of words, images and behavioural convention. This iconoclastic compendium will dazzle and delight all lovers of humour, satire and irony.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv id=\"block-c2574becbf3ecc0b64c7\" data-block-type=\"2\" class=\"sqs-block html-block sqs-block-html\"\u003e\n\u003cdiv class=\"sqs-block-content\"\u003e\n\u003cp class=\"\"\u003e“Pranks is absolutely fascinating – remarkable source material for any experimental psychologist. It crosses the whole spectrum from mere pranks and practical jokes into concept art and the shaky foundations of a lot of everyday reality, and beyond that into pure psychopathy, in a few cases. One of your very best books yet.” — J.G. Ballard\u003c\/p\u003e\n\u003cp class=\"\"\u003eFeaturing Timothy Leary; Abbie Hoffman; Mark Pauline; John Waters; Karen Finley; Bruce Conner; Paul Krassner. \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"RE\/SEARCH","offers":[{"title":"Default Title","offer_id":44891963359513,"sku":"","price":100.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/5024\/2841\/products\/rs11-pranks_4-3.jpg?v=1680438070"},{"product_id":"san-francisco-by-yoshi-yubai-introduction-by-gee-vaucher","title":"RE\/SEARCH \/ San Francisco","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"_aacl _aaco _aacu _aacx _aad7 _aade\"\u003e\u003cstrong\u003eRe\/Search, Yoshi Yubai \u003cbr\u003e\u003c\/strong\u003e\u003cem\u003eSan Francisco  \u003c\/em\u003e2020\u003cbr\u003ePaperback, 23 x 16cm\u003c\/p\u003e\n\u003cp class=\"_aacl _aaco _aacu _aacx _aad7 _aade\"\u003eCondition: New\u003c\/p\u003e\n\u003cdiv id=\"block-c2574becbf3ecc0b64c7\" data-block-type=\"2\" class=\"sqs-block html-block sqs-block-html\"\u003e\n\u003cdiv class=\"sqs-block-content\"\u003e\n\u003cdiv class=\"ProductItem-details-excerpt\" data-content-field=\"excerpt\"\u003e\n\u003cp class=\"\"\u003eBlack-and-white photographs of San Francisco people on the street, day and night, with an insightful introduction by V. Vale, and an afterword by Yosuke Konishi. The new expanded edition (almost 200 photos) features a new appreciation by GEE VAUCHER, CRASS founder (early U.K. Punk progenitor).\u003c\/p\u003e\n\u003cp class=\"\"\u003e“Gloomy and dark, more shadows than light, Yoshi Yubai’s images make you shiver, as if you awoke on Skid Row. Good job!”—Miron Zowner\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"RE\/SEARCH","offers":[{"title":"Default Title","offer_id":44891971092761,"sku":"","price":85.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/5024\/2841\/products\/yoshi-sf_4-3.jpg?v=1680436759"},{"product_id":"copy-of-pranks","title":"RE\/SEARCH \/ Modern Primitives","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"_aacl _aaco _aacu _aacx _aad7 _aade\"\u003e\u003cstrong\u003eVarious \u003cbr\u003e\u003c\/strong\u003e\u003cem\u003eModern Primitives  \u003c\/em\u003e1987\u003cbr\u003eHardback, 333 pages\u003cbr\u003e29 x 23cm\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eRe\/Search, V.Vale (signed)\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"_aacl _aaco _aacu _aacx _aad7 _aade\"\u003e\u003cmeta charset=\"utf-8\"\u003eEdition: 500\u003c\/p\u003e\n\u003cp class=\"_aacl _aaco _aacu _aacx _aad7 _aade\"\u003eCondition: New\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cdiv class=\"sqs-block html-block sqs-block-html\" data-block-type=\"2\" id=\"block-c2574becbf3ecc0b64c7\"\u003e\n\u003cdiv class=\"sqs-block-content\"\u003e\n\u003cp class=\"\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThis is the book that launched “a Revolution” and introduced the world to body piercing and full-body tattoos. Additional interview with Raelyn Gallina, plus tattoo\/piercing community sponsorship pages in the back. Supersedes all previous editions.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e“I loved the introduction in your previous book, and all the introductions to the other wonderful books you’ve made. Incidentally, your last publication, 'Modern Primitives', was extraordinary. That was an amazing book – that was a genuine work of modern urban anthropology. It was incredible. You could have been Margaret Mead going to Samoa – it was the equivalent of that. And it was never voyeuristic. It was an extraordinary book, beautifully conceived and researched in such depth. That’s what’s so wonderful about all your publications: the depth of them – they just go on and on. Where most books end, yours are just about beginning. I mean they really are very, very impressive. You’ve produced really amazing books; there’s no question about that.” \u003cem\u003e– \u003c\/em\u003eJ.G. Ballard\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"RE\/SEARCH","offers":[{"title":"Default Title","offer_id":44892151677209,"sku":"","price":100.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/5024\/2841\/products\/rs12_4-3.jpg?v=1680438463"},{"product_id":"copy-of-modern-primitives-1","title":"RE\/SEARCH \/ #4-5: William Burroughs, Brion Gysin, Throbbing Gristle","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"_aacl _aaco _aacu _aacx _aad7 _aade\"\u003e\u003cstrong\u003eVarious \u003cbr\u003e\u003c\/strong\u003e\u003cem\u003eRE\/Search #4-5: William Burroughs, Brion Gysin, Throbbing Gristle  \u003c\/em\u003e2020, first published 1982\u003cbr\u003ePaperback, 120 pages\u003cbr\u003e9 x 23cm\u003cbr\u003eRe\/Search, V.Vale \u003c\/p\u003e\n\u003cdiv id=\"block-c2574becbf3ecc0b64c7\" data-block-type=\"2\" class=\"sqs-block html-block sqs-block-html\"\u003e\n\u003cdiv class=\"sqs-block-content\"\u003e\n\u003cp class=\"\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFirst published in 1982, William Burroughs, Brion Gysin \u0026amp; Throbbing Gristle talk about advanced ideas involving the social control process, creativity and the future. Interviews, scarce fiction, essays: this is a manual of prophetic ideas and insights. Strikingly designed, with rare photos, bibliographies, discographies, chronologies \u0026amp; illustrations. A classic.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"RE\/SEARCH","offers":[{"title":"Default Title","offer_id":44892373516569,"sku":"","price":75.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/5024\/2841\/products\/1001.jpg?v=1680442651"},{"product_id":"la-tranche-racienne-24","title":"RAYMOND PETTIBON \u0026 OTHERS \/ La Tranchée Racine #24","description":"\u003cp class=\"p1\"\u003e\u003cstrong\u003eRaymond Pettibon \u0026amp; Others\u003cbr\u003e\u003c\/strong\u003e\u003cem\u003eLa Tranchée Racine #24  \u003c\/em\u003e2021\u003cbr\u003eG\u003cspan data-mce-fragment=\"1\"\u003eraphic periodic, \u003cmeta charset=\"utf-8\"\u003e12 pages black and white newspaper\u003cbr\u003e47.5 x 66cm\u003cbr\u003e\u003c\/span\u003eUnited Dead Artists \u003c\/p\u003e\n\u003cp class=\"p1\"\u003eCondition: Very Good, shows minimal signs of wear.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e'La Tranchée Racine' is United Dead Artists' graphic periodic, a publisher founded in 2010 by French drawer and artist Stéphane Blanquet, a prolific figure in the contemporary art scene since the end of the 1980s.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eGathering images, strips, photographs and texts selected by Stéphane Blanquet (who illustrates all the issues' front covers), 'La Tranchée Racine' reflects the publishing house's raw identity. Each weekly issue presents the works of more than 40 authors in a rough yet meticulous display. Special issues are either dedicated to one particular author or full-page publication. \u003cbr\u003e\u003cbr\u003e'La Tranchée Racine' became weekly for 42 issues on the occasion of Stéphane Blanquet's exhibition at the Halle Saint Pierre, Paris, from September 2020 to January 2022: a crazy project that intends to constitute a vast panel of art brut, contemporary art and drawing at the rate of one issue per week for more than a year...\u003cbr\u003e\u003cbr\u003eWith Raymond Pettibon, Mila Nijinsky, Jimmy Beauquesne, Tereza Lochmann, Adam Stone, Thierry Fontaine, Robert Deutsch, Hanna Jo, Christelle Enault, Shalva Nikvashvili, Roald Sivertsen, ORLAN.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"RAYMOND PETTIBON","offers":[{"title":"Default Title","offer_id":44892418703641,"sku":"","price":50.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/5024\/2841\/products\/IMG_9009.jpg?v=1680443647"},{"product_id":"copy-of-la-tranche-racienne-24","title":"SUSAN TE KAHURANGI KING \/ La Tranchée Racine #29","description":"\u003cp class=\"p1\"\u003e\u003cstrong\u003eVarious \u003cbr\u003e\u003c\/strong\u003e\u003cem\u003eLa Tranchée Racine #29  \u003c\/em\u003e2021\u003cbr\u003eG\u003cspan data-mce-fragment=\"1\"\u003eraphic periodic, \u003cmeta charset=\"utf-8\"\u003e12 pages black and white newspaper\u003cbr\u003e47.5 x 66cm\u003cbr\u003e\u003c\/span\u003eUnited Dead Artists \u003c\/p\u003e\n\u003cp class=\"p1\"\u003eCondition: Very Good, shows minimal signs of wear.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e'La Tranchée Racine' is United Dead Artists' graphic periodic, a publisher founded in 2010 by French drawer and artist Stéphane Blanquet, a prolific figure in the contemporary art scene since the end of the 1980s.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eGathering images, strips, photographs and texts selected by Stéphane Blanquet (who illustrates all the issues' front covers), 'La Tranchée Racine' reflects the publishing house's raw identity. Each weekly issue presents the works of more than 40 authors in a rough yet meticulous display. Special issues are either dedicated to one particular author or full-page publication. \u003cbr\u003e\u003cbr\u003e'La Tranchée Racine' became weekly for 42 issues on the occasion of Stéphane Blanquet's exhibition at the Halle Saint Pierre, Paris, from September 2020 to January 2022: a crazy project that intends to constitute a vast panel of art brut, contemporary art and drawing at the rate of one issue per week for more than a year...\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv class=\"note\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eWith Arsen Savadov, Nil \u0026amp; Karin Romano, Tom Liekens, Solange Knopf, Adam Fuss, Renate Bertlmann, Kyoung-Mi Kim, Susan Te Kahurangi King\u003c\/span\u003e\u003cspan\u003e, Eléonore Kenis \u0026amp; Kenny Ozier-Lafontaine, Brulex, , Sal Salandra Thread Painting.\u003c\/span\u003e\n\u003c\/div\u003e","brand":"SUSAN TE KAHURANGI KING","offers":[{"title":"Default Title","offer_id":44892422504729,"sku":"","price":50.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/5024\/2841\/products\/IMG_9012.jpg?v=1680444050"},{"product_id":"copy-of-la-tranche-racienne-29","title":"TAKATO YAMAMOTO \/ La Tranche Racienne #30","description":"\u003cp class=\"p1\"\u003e\u003cstrong\u003eVarious \u003cbr\u003e\u003c\/strong\u003e\u003cem\u003eLa Tranchée Racine #30  \u003c\/em\u003e2021\u003cbr\u003eG\u003cspan data-mce-fragment=\"1\"\u003eraphic periodic, \u003cmeta charset=\"utf-8\"\u003e12 pages newspaper\u003cbr\u003e47.5 x 66cm\u003cbr\u003e\u003c\/span\u003eUnited Dead Artists \u003c\/p\u003e\n\u003cp class=\"p1\"\u003eCondition: Very Good, shows minimal signs of wear.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e'La Tranchée Racine' is United Dead Artists' graphic periodic, a publisher founded in 2010 by French drawer and artist Stéphane Blanquet, a prolific figure in the contemporary art scene since the end of the 1980s.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eGathering images, strips, photographs and texts selected by Stéphane Blanquet (who illustrates all the issues' front covers), 'La Tranchée Racine' reflects the publishing house's raw identity. Each weekly issue presents the works of more than 40 authors in a rough yet meticulous display. Special issues are either dedicated to one particular author or full-page publication. \u003cbr\u003e\u003cbr\u003e'La Tranchée Racine' became weekly for 42 issues on the occasion of Stéphane Blanquet's exhibition at the Halle Saint Pierre, Paris, from September 2020 to January 2022: a crazy project that intends to constitute a vast panel of art brut, contemporary art and drawing at the rate of one issue per week for more than a year...\u003c\/p\u003e\n\u003cdiv class=\"note\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"note\" data-mce-fragment=\"1\"\u003eWith Takato Yamamoto, Jesse Patrick Martin, Eikoh Hosoe, Lancelot Runge, Paolo Boosten, Juan Del'O, Patrik Budenz, Néel Beausonge, Tino Rodriguez,\u003cspan data-mce-fragment=\"1\"\u003e Namio Harukawa\u003c\/span\u003e, Romy Alizée, Erwin Blumenfeld.\u003c\/div\u003e\n\u003c\/div\u003e","brand":"TAKATO YAMAMOTO","offers":[{"title":"Default Title","offer_id":44892431188249,"sku":"","price":40.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/5024\/2841\/products\/IMG_9006.jpg?v=1680444441"},{"product_id":"copy-of-la-tranche-racienne-25","title":"GILBERT \u0026 GEORGE \/ La Tranchée Racine #37","description":"\u003cp class=\"p1\"\u003e\u003cstrong\u003eGilbert \u0026amp; George\u003cbr\u003e\u003c\/strong\u003e\u003cem\u003eLa Tranchée Racine #37  \u003c\/em\u003e2021\u003cbr\u003eG\u003cspan data-mce-fragment=\"1\"\u003eraphic periodic, 47.5 x 66cm, 12 pages black and white newspaper\u003cbr\u003e\u003c\/span\u003eUnited Dead Artists \u003c\/p\u003e\n\u003cp class=\"p1\"\u003eCondition: Very Good, shows minimal signs of wear.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e'La Tranchée Racine' is United Dead Artists' graphic periodic, a publisher founded in 2010 by French drawer and artist Stéphane Blanquet, a prolific figure in the contemporary art scene since the end of the 1980s.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eGathering images, strips, photographs and texts selected by Stéphane Blanquet (who illustrates all the issues' front covers), 'La Tranchée Racine' reflects the publishing house's raw identity. Each weekly issue presents the works of more than 40 authors in a rough yet meticulous display. Special issues are either dedicated to one particular author or full-page publication. \u003cbr\u003e\u003cbr\u003e'La Tranchée Racine' became weekly for 42 issues on the occasion of Stéphane Blanquet's exhibition at the Halle Saint Pierre, Paris, from September 2020 to January 2022: a crazy project that intends to constitute a vast panel of art brut, contemporary art and drawing at the rate of one issue per week for more than a year...\u003c\/p\u003e\n\u003cdiv class=\"note\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"note\"\u003eWith\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.lespressesdureel.com\/EN\/auteur.php?id=389\"\u003eJoël Hubaut\u003c\/a\u003e, Jean-Sébastien Ruyer, Julia Soboleva, Mauro Bordin, Hélène Delmaire, Kosuke Ajiro, Marios von Kerpen, Vincent Bizien, Kinga Janiak, Mileta Mijatovic, Mateusz Sarzynski,\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.lespressesdureel.com\/EN\/auteur.php?id=489\"\u003eGilbert \u0026amp; George\u003c\/a\u003e.\u003c\/div\u003e\n\u003c\/div\u003e","brand":"GILBERT AND GEORGE","offers":[{"title":"Default Title","offer_id":44892485779737,"sku":"","price":50.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/5024\/2841\/products\/IMG_9004.jpg?v=1683420143"},{"product_id":"judith-bernstein-hard","title":"JUDITH BERNSTEIN \/ Hard","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eJudith Bernstein\u003cbr\u003e\u003c\/strong\u003e\u003cem\u003eHard  \u003c\/em\u003e2018\u003cbr\u003eBlack and White Photocopy, 16 pages\u003cbr\u003e13 x 19cm\u003cbr\u003eEdition 29 of 150\u003cbr\u003eInnen, Zurich\u003c\/p\u003e\n\u003cp\u003eCondition: Very Good, shows minimal signs of wear\u003cbr\u003e\u003cbr\u003ePublished on the occasion of Printed Matter’s NY Art Book Fair at MoMA PS1\u003cbr\u003eSeptember 21-23, 2018. Out of print. \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eSince receiving her MFA from Yale in 1967, Judith Bernstein has developed a reputation as one of the most unwaveringly provocative artists of her generation. For over 50 years, her work has been an autobiographical exploration of the connection between the political and the sexual. Steadfast in her cultural, political and social critique throughout her career, Bernstein surged into art world prominence in the early 1970s with her monumental anti-war and Feminist charcoal drawings of penis-screw hybrids; early incarnations of which were exhibited at AIR Gallery; Brooks Jackson Iolas Gallery, New York; Brooklyn Museum; and MoMA P.S.1, among other institutions.\u003cbr\u003e\u003cbr\u003eSolo exhibitions include GASLIGTING FOREVER at Kasmin, NY (2021-22); Hot Hands at The Box, LA (2020); Blue Balls at Karma International, Zurich (2019); Money Shot at Kasmin, NY (2018); Cabinet of Horrors at The Drawing Center, NY (2017); Cock in a Box at The Box, LA (2017); Dicks of Death at Mary Boone Gallery, NY (2016); Voyeur at Mary Boone Gallery, NY (2015); Judith Bernstein: Rising at Kunsthall Stavanger, Norway (2016); Birth of the Universe at Gavin Brown’s enterprise, NY (2014); Rising at Studio Voltaire, London (2014); Judith Bernstein: HARD at the New Museum, NY (2012); and Fuck Vietnam at The Box, LA (2011).\u003cbr\u003e\u003cbr\u003eBernstein has work in the permanent collections of the Museum of Modern Art, NY; the Whitney Museum of American Art; Los Angeles County Museum of Art, Los Angeles; The Museum of Contemporary Art, Los Angeles; Deste Foundation, Athens, Greece; the Brooklyn Museum, NY; Smithsonian Institute, Washington, D.C.; Jewish Museum, NY; Kunsthaus Zurich, Switzerland; Migros Museum, Zurich, Switzerland; Carnegie Museum of Art, Pittsburgh; Hirshhorn Museum, Washington, D.C.; Art Institute of Chicago, Chicago, IL; Sammlung Verbund, Vienna; Albright-Knox Art Gallery, Buffalo, NY; Yale University Art Gallery, New Haven, CT; Neuberger Museum, New York; and Hall Art Foundation, Reading, Vermont. She was the recipient of a John Simon Guggenheim Memorial Foundation Fine Arts Fellowship in 2016.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp class=\"p1\"\u003e \u003c\/p\u003e","brand":"JUDITH BERNSTEIN","offers":[{"title":"Default Title","offer_id":44894266949913,"sku":"","price":65.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/5024\/2841\/products\/bernstein.jpg?v=1680475069"},{"product_id":"copy-of-judith-bernstein-hard","title":"RAYMOND PETTIBON \/ Selected Works from 1982 - 2011","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eRaymond Pettibon\u003cbr\u003e\u003c\/strong\u003e\u003cem\u003eSelected Works from 1982 - 2011  \u003c\/em\u003e2020\u003cbr\u003eBlack \u0026amp; White Offset Print, \u003cmeta charset=\"utf-8\"\u003e32 pages\u003cbr\u003e14 x 20cm, \u003cmeta charset=\"utf-8\"\u003eReprint of the book first published in 2014\u003cbr\u003eInnen, c\u003cspan data-mce-fragment=\"1\"\u003eo-Published with Nieves, Zurich\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eEdition: 29 of 150\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eCondition: Excellent \u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"accroche\" itemprop=\"description\"\u003eAn anthology of Pettibon's drawings.\u003c\/div\u003e\n\u003cdiv class=\"bioAuteur\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"bioAuteur\"\u003eRaymond Pettibon (born 1957 in Tucson, lives and works in Venice Beach) is mostly known for his comic-book-like\u003cspan\u003e drawings \u003c\/span\u003eto which he appends disconcerting and sarcastic texts.\u003c\/div\u003e\n\u003cdiv class=\"bioAuteur\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"bioAuteur\"\u003eHis work embraces a wide spectrum of American “high” and “low” culture, from the deviations of marginal youth to art history, literature, sports, religion, politics, and sexuality. 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He graduated from the Department of Imaging Arts \u0026amp; Sciences at Musashino Art University in 2001. Tsukuda lives and works in Tokyo.\u003c\/p\u003e\n\u003cp\u003eThe artist’s drawings and digital collage explore the turbulent, futuristic cityscapes of his imaginings. Created with meticulous detail, these intricate, monochromatic works illustrate collapsed spaces, in which mechanised worlds merge with sci-fi mythos in states of controlled chaos and organic mutation. Similarly, Tsukuda creates installation works out of raw industrial material, flora, and found objects that transpire directly from the artist’s drawings.\u003c\/p\u003e\n\u003cp\u003eTsukuda’s has mounted solo exhibitions at the Museum of Modern Art, Gunma (2019); Capitain Petzel (2018); Neuer Aachener Kunstverein, Aachen, Germany (2017); and Nanzuka, Tokyo (2014), among others. He has been included in group exhibitions at the Mori Art Museum, Tokyo (2019); Tai Kwun Contemporary, Hong Kong (2019); Jack Hanley Gallery, New York (2016); and Brandenburgischer Kunstverein Postdam e.V., Potsdam (2015), among others.\u003c\/p\u003e\n\u003cp\u003eThis publication shares its name with a 2020 solo exhibition at Petzel Gallery, New York. \u003c\/p\u003e","brand":"HIROKI TSUKUDA","offers":[{"title":"Default Title","offer_id":44894297850137,"sku":"","price":35.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/5024\/2841\/products\/1_1913f920-7327-410e-843a-8f431ae5f1cd.jpg?v=1680476060"},{"product_id":"lee-lozano","title":"LEE LOZANO \/ Private book #3","description":"\u003cp class=\"p1\"\u003e\u003cstrong\u003eLee Lozano \u003cbr\u003e\u003c\/strong\u003e\u003cem\u003ePrivate book #3  \u003c\/em\u003e2017\u003cbr\u003eSpiral-bound paperback, 200 pages\u003cbr\u003eEdition of 2,500\u003cbr\u003eKarma, New York\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eCondition: New \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThis is the third volume in Karma’s 11-volume facsimile printing of Lee Lozano’s “Private Book” project. 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Eleven of these private books survive, containing notes on her work, detailed interactions with artist friends and commentary on the alienations of gender politics, as well as philosophical queries into art’s role in society and humorous asides from daily life.\u003cbr\u003e\u003c\/p\u003e","brand":"LEE LOZANO","offers":[{"title":"Default Title","offer_id":44895789220121,"sku":"","price":47.5,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/5024\/2841\/products\/private-book-4.png?v=1680498397"},{"product_id":"lee-lozano-private-book-9","title":"LEE LOZANO \/ Private book #9","description":"\u003cp class=\"p1\"\u003e\u003cstrong\u003eLee Lozano \u003cbr\u003e\u003c\/strong\u003e\u003cem\u003ePrivate book #9  \u003c\/em\u003e2021 \u003cbr\u003e\u003cspan\u003eSpiral-bound paperback, 200\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e pages \u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e13 x 7.5cm\u003cbr\u003e\u003c\/span\u003eKarma, New York\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eCondition: New \u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThis is the ninth volume in Karma’s 11-volume facsimile printing of Lee Lozano’s “Private Book” project. 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Entrenched in historical references and culled from a variety of sources from soul music to spacewalks, Rose’s composite video installations are created to question what it is that makes us human and how we continue to find ways to alter and escape that designation.\u003cbr\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003ePublished on the occasion of Rose’s first large-scale solo shows in Germany and France, this volume documents a variety of her video installations and a new series of sculptures.\u003c\/p\u003e","brand":"Rachel Rose","offers":[{"title":"Default Title","offer_id":44903991902489,"sku":"","price":95.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/5024\/2841\/files\/9783960986805_e97a7560-9da7-48a9-a19f-a7c4c21d081a.jpg?v=1684067043"},{"product_id":"yoshifumi-hayashi","title":"YOSHIFUMI HAYASHI \/ Masse Gris-Noir","description":"\u003cp class=\"p1\"\u003e\u003cstrong\u003eYoshifumi Hayashi\u003cbr\u003e\u003c\/strong\u003e\u003cem\u003eMasse Gris-Noir  \u003cbr\u003e\u003c\/em\u003eL\u003cspan data-mce-fragment=\"1\"\u003eimited edition\/signed, \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eYoshifumi Hayashi's \u003cbr\u003ePortfolio a set of 8 sheets (sheet size: 33.6 x 22.5cm), \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eOriginal black cloth binder (size: 37.5 x 28.0cm)\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003ePyramid\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eEdition: \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eEdition 35 of 180\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eCondition: Very good with minimal wear \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eLimited edition portfolio in celebration of an exhibition of the works of Yoshifumi Hayashi, an artist who resides in France. A careful collection of the latest works of artist Yoshifumi Hayashi who continues his lonely pursuit of a world of sensual love through detailed pencil sketches.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe grotesque eroticism of Yoshifumi Hayashi’s smooth, graphite illustrations are surrealistic exhibitions of the artist’s deepest and darkest paranoias, fetishes, and obsessions. Legs, breasts, vulvas, and mouths are remixed into accumulative, abject organisms like that of a mutant Hans Bellmer mannequin.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIn one illustration, a rat king cluster of plump, gesticulating legs project from a mass of intestinal, tubular matter that is reminiscent of both a vulva and a butchered animal carcass. In another, a pillar of disembodied breasts dripping with hyperrealistic beads of sweat tower up a leafy stalk like bulbs on a garlic branch ready to be plucked. Repeating themes include legs, intestines, modernist architectural interiors, and Magritte-esque landscapes.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBorn in 1948, the artist moved to Paris at age 26 where he began to create pencil drawings through self-study. He has since developed a cult following.\u003c\/span\u003e\u003c\/p\u003e","brand":"YOSHIFUMI HAYASHI","offers":[{"title":"Default Title","offer_id":44904068448537,"sku":"","price":450.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/5024\/2841\/files\/Folio_005.jpg?v=1684331276"},{"product_id":"part-fantasy-the-sexual-imagination-of-seven-lesbian-artists-explored-through-the-medium-of-drawing","title":"NICOLA TYSON \/ Part Fantasy: The Sexual Imagination of Seven Lesbian Artists Explored Through the Medium of Drawing","description":"\u003cp class=\"p1\"\u003e\u003cstrong\u003eE\u003cmeta charset=\"utf-8\"\u003ellen Cantor, Elise Dodeies, Nicole Eisenman, Daphne Fitzpatrick, Eliza Jackson, G. B. Jones, and Nicola Tyson\u003cbr\u003e\u003c\/strong\u003e\u003cem\u003ePart Fantasy: The Sexual Imagination of Seven Lesbian Artists Explored Through the Medium of Drawing  \u003c\/em\u003e1992 \u003cbr\u003eSoftcover, 30 pages, \u003cmeta charset=\"utf-8\"\u003e23 x 18.5cm.\u003cbr\u003eTrial Balloon, New York\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eForward by Nicola Tyson. Essay by Faye Hirsch.\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eCondition: Good, with minimal wear. \u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eA rare thirty-year-old exhibition catalog with Nicole Eisenman cover. \u003c\/span\u003eThe catalogue accompanied a \"1992 exhibition at the New York venue Trial Balloon that featured seven young lesbian artists (Eisenman, Nicola Tyson, Ellen Cantor, Daphne Fitzpatrick, Elise Dodeles, Eliza Jackson, and G. B. Jones).\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eEisenman’s black-and-white drawing \u003ci\u003eTrash’s Dance\u003c\/i\u003e brings to life the earlier lesbian leather photo portraits of the artist then known as Della Grace (now Del La Grace Volcano). Del’s were taken in Scott’s Bar, an underground lesbian leather dive in ’80s San Francisco. Eisenman’s version includes the photos’ leather vest over bare breasts and expands to a community scene that is passionate, in thrall, and very individuated.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eTrash, a mustached bodybuilder in heels, is dancing on the bar for tips, while the unfazed bartenders keep the beer flowing. Two separated dykes, on barstools, are alone, depressed, and drunk amid the frenzy, while the rest are highly engaged, often in couples. Sex is happening, ass-grabbing, breast-baring, and also convivial conversation. Kissing, fighting, explicating, large, small, butch, femme, happy, sallow. And most important, these lesbians are crowded into a very small space, as was almost always the case in lesbian bars, basically stark and empty rooms to which the women, themselves, brought romance and glamour.\" -  Sarah Schulman, Artforum\u003c\/p\u003e","brand":"Ellen Cantor, Elise Dodeies, Nicole Eisenman, Daphne Fitzpatrick, Eliza Jackson, G. B. Jones, and Nicola Tyson","offers":[{"title":"Default Title","offer_id":44904334426393,"sku":"","price":120.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/5024\/2841\/products\/Folio_5643e8be-8436-4553-8e25-5ddc5d47339a.jpg?v=1680617530"},{"product_id":"paul-mccarthy","title":"PAUL McCARTHY \/ 1993 exhibition catalogue from Galerie Krinzinger","description":"\u003cdiv class=\"book-desc mt-2\"\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003ePaul McCarthy\u003cbr\u003e\u003c\/strong\u003e\u003cem\u003e1993 exhibition catalogue from Galerie Krinzinger, \u003c\/em\u003e1993 \u003cbr\u003ePaperback, 21 x 14.7cm\u003cbr\u003eFirst Edition\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eGalerie Krinzinger\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eCondition: Used, l\u003cspan data-mce-fragment=\"1\"\u003eight wear to the edges.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eDescription: Catalogue to accompany Paul McCarthy's 1993 exhibition at Galerie Krinzinger.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"book-desc mt-2\"\u003ePaul McCarthy is widely considered to be one of the most influential and groundbreaking contemporary American artists. Born in 1945, and raised in Salt Lake City, Utah, he first established a multi-faceted artistic practice, which sought to break the limitations of painting by using unorthodox materials such as bodily fluids and food. He has since become known for visceral, often hauntingly humorous work in a variety of mediums—from performance, photography, film and video, to sculpture, drawing and painting.\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"book-desc mt-2\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eDuring the 1990s, he extended his practice into installations and stand-alone sculptural figures, utilizing a range of materials such as fiberglass, silicone, animatronics and inflatable vinyl. Playing on popular illusions and cultural myths, fantasy and reality collide in a delirious yet poignant exploration of the subconscious, in works that simultaneously challenge the viewer’s phenomenological expectations.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWhether absent or present, the human figure has been a constant in his work, either through the artist‘s own performances or the array of characters he creates to mix high and low culture, and provoke an analysis of our fundamental beliefs. These playfully oversized characters and objects critique the worlds from which they are drawn: Hollywood, politics, philosophy, science, art, literature, and television. McCarthy’s work, thus, locates the traumas lurking behind the stage set of the American Dream and identifies their counterparts in the art historical canon.\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/div\u003e","brand":"PAUL McCARTHY","offers":[{"title":"Default Title","offer_id":44913134240025,"sku":"","price":120.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/5024\/2841\/products\/Folio_f026cf2e-d07d-4f6b-9aa1-71b6872a1266.jpg?v=1680736067"},{"product_id":"william-wegman-1","title":"WILLIAM WEGMAN \/ The Dark Side","description":"\u003cp class=\"p1\"\u003e\u003cstrong\u003eWilliam Wegman\u003cbr\u003e\u003c\/strong\u003e\u003cem\u003eThe Dark Side  \u003c\/em\u003e2019\u003cbr\u003e500gm gloss,\u003cb\u003e \u003c\/b\u003e84.1 x 118.9cm\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eEdition of 100, unsigned\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eProduced on the occasion of Café Spit from the original Polaroid, 'The Dark Side', 2008.   \u003c\/p\u003e\n\u003cp class=\"p2\"\u003eWilliam Wegman was born in 1943 in Holyoke, Massachusetts. He received a B.F.A. in painting from the Massachusetts College of Art, Boston in 1965 and an M.F.A. in painting from the University of Illinois, Champagne-Urbana in 1967. From 1968 to 1970 he taught at the University of Wisconsin. In the fall of 1970 he moved to Southern California where he taught for one year at California State College, Long Beach. In 1971 He moved to Santa Monica. By the early 70s, Wegman’s work was being exhibited in museums and galleries internationally. In addition to solo shows with Sonnabend Gallery in Paris and New York, Situation Gallery in London and Konrad Fisher Gallery in Dusseldorf, his work was included in such seminal exhibitions as “When Attitudes Become Form,” and “Documenta V” and regularly featured in Interfunktionen, Artforum and Avalanche magazines.\u003c\/p\u003e\n\u003cp class=\"p2\"\u003eIt was while he was in Long Beach that Wegman got his dog, a Weimaraner who he named Man Ray, and began a long and fruitful collaboration. Man Ray, known in the art world and beyond for his endearing deadpan presence, became a central figure in Wegman’s photographs and videotapes. When Man Ray died in 1982 he was named “Man of the Year” by the Village Voice. It was not until 1986 that Wegman got a new dog, Fay Ray, and another collaboration began marked by Wegman’s extensive use of the Polaroid 20 x 24 camera. With the birth of Fay’s litter in 1989, Wegman’s cast of grew to include Fay’s offspring — Battina, Crooky and Chundo — and later, their offspring: Battina’s son Chip in 1995, Chip’s son Bobbin in 1999 and Candy and Bobbin’s daughter Penny in 2004. Out of Wegman’s involvement with this cast of characters grew a series of childrens’ books inspired by the dogs’ various acting abilities: Cinderella, Little Red Riding Hood, ABC, Mother Goose, Farm Days, My Town, Surprise Party and Chip Wants a Dog.  Wegman has also published a number of books for adults including Man’s Best Friend, Fashion Photographs, William Wegman 20 x 24, The New York Times Bestseller Puppies, Fay, William Wegman: Paintings and the upcoming Being Human, edited by William Ewing and published by Thames and Hudson fall 2017.\u003c\/p\u003e\n\u003cp class=\"p2\"\u003eWegman has created film and video works for Saturday Night Live and Nickelodeon and his video segments for Sesame Street have appeared regularly since 1989. In 1995, Wegman’s film The Hardly Boys was screened at the Sundance Film Festival. Wegman has been commissioned to create images for a wide range of projects including a fashion campaign for Acne, banners for the Metropolitan Opera and covers for numerous publications including The New Yorker and, most recently, Wallpaper. Wegman has appeared on The Tonight Show with Johnny Carson and with Jay Leno, The David Letterman Show and The Colbert Report.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eWilliam Wegman lives in New York and Maine where he continues to paint, draw, make videos and take photographs with his dogs Flo and Topper.\u003c\/p\u003e","brand":"WILLIAM WEGMAN","offers":[{"title":"Default Title","offer_id":44949172453657,"sku":"","price":250.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/5024\/2841\/products\/Artwork_finalposter_b.jpg?v=1681304259"},{"product_id":"annette-messager-mes-enluminures-two","title":"ANNETTE MESSAGER \/ Mes Enluminures, two","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eAnnette Messager\u003cbr\u003e\u003c\/strong\u003e\u003cem\u003eMes Enluminures, two  \u003c\/em\u003e1988\u003cbr\u003eB\u003cspan data-v-7eb1e0c8=\"\"\u003eound printed paperback, \u003c\/span\u003e\u003cspan data-v-7eb1e0c8=\"\"\u003e21 x 14cm\u003cbr\u003e\u003c\/span\u003eFirst edition. \u003cmeta charset=\"utf-8\"\u003eno. 155\/320\u003cbr\u003eArt \u0026amp; Art\u003c\/p\u003e\n\u003cp\u003eCondition: Very Good, shows minimal signs of wear\u003c\/p\u003e\n\u003cdiv class=\"details_section ds_three with-result\" data-v-7eb1e0c8=\"\"\u003e\n\u003cdiv class=\"ds_financials show-bid-controls\" data-v-7eb1e0c8=\"\"\u003e\n\u003cdiv class=\"flex-1 w-1\/2 result-wrapper\" data-v-7984c7a0=\"\"\u003e\n\u003cp\u003ePublished in conjunction with the first retrospective in the United States of the work of French artist Annette Messager (b. 1943), one of the most provocative and important contemporary artists working in Europe. Alternating between a quiet conceptualism and a raucous expressionism, the work in the exhibition included books that inquire into the nature of women’s roles, photographs transformed by paint into fairytale monsters, ensembles comprising hundreds of photographs of body parts, and multimedia installations that explore the multiple meanings of objects and images placed in new contexts.\u003c\/p\u003e\n\u003cp\u003eMultiple sources inform Messager’s work, including Symbolism and Surrealism, how-to books, magazine and newspaper articles, advertisements, astrology, religious art,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eart brut\u003c\/em\u003e, and eighteenth- and nineteenth-century literature. The influence of Surrealist photography, with its fragmentation of the human body and voyeuristic aspect, is evident in\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eMy Vows\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(1988–91), where numerous photographs of body parts hang from strings, overlapping and partially obscuring one another. In\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eMy Trophies\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(1986–88), Messager calls upon the less-regarded arts of tattooing, palmistry, children’s books, and medieval manuscripts to create the symbols and marks that she draws over photographs of body parts.\u003c\/p\u003e\n\u003cp data-v-7eb1e0c8=\"\"\u003e\u003cspan class=\"specification spec\"\u003e\u003cspan\u003e\u003cspan class=\"specification\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"ANNETTE MESSAGER","offers":[{"title":"Default Title","offer_id":45065312370969,"sku":"","price":750.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/5024\/2841\/files\/368_1_artists_books_ephemera_from_an_important_private_collection_march_2023_annette_messager_mes_enluminures_two__rago_auction.jpg?v=1682397226"},{"product_id":"martin-creed-work-no-101-for-pianoforte","title":"MARTIN CREED \/ Work no. 101 for pianoforte","description":"\u003cdl class=\"Box-sc-15se88d-0 Flex-cw39ct-0 bKPevV\" display=\"flex\"\u003e\n\u003cdt class=\"Box-sc-15se88d-0 Text-sc-18gcpao-0 hIpJGq JnnaH\" font-family=\"sans\" width=\"150\"\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eMartin Creed \u003cbr\u003e\u003c\/strong\u003e\u003cem\u003eWork no. 101 for pianoforte  \u003c\/em\u003e1994 \u003cbr\u003ePrinted paper, 29 × 21cm.\u003c\/p\u003e\n\u003c\/dt\u003e\n\u003c\/dl\u003e\n\u003cdl class=\"Box-sc-15se88d-0 Flex-cw39ct-0 bKPevV\" display=\"flex\"\u003e\n\u003cdt class=\"Box-sc-15se88d-0 Text-sc-18gcpao-0 hIpJGq JnnaH\" font-family=\"sans\" width=\"150\"\u003eCondition: Excellent condition, artwork and protective tube show no wear or discolouration.\u003c\/dt\u003e\n\u003c\/dl\u003e\n\u003cp\u003eBetween 1993 and 1998, Matthew Higgs, artist, writer and current Director of White Columns, produced and distributed more than fifty works through his publishing project Imprint 93. An administrator at an advertising agency by day and influential curator by night, Higgs invited artists to create works of art that could fit inside an envelope to be distributed, unsolicited, by mail to an informal group of friends, artists, and curators. Financed by himself and printed on an office photocopier, Imprint 93 served as an ongoing curatorial project which did not necessitate a space, circumvented traditional art world structures, and offered a unique platform and network for artists to distribute their work.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThe artists involved in Imprint 93 were often at the beginnings of their careers, working on the periphery of the then emerging ‘YBA’ movement. The exhibition features the work of Fiona Banner, Billy Childish, Martin Creed, Jeremy Deller, Peter Doig, Ceal Floyer, Stewart Home, Alan Kane, Hilary Lloyd, Paul Noble, Chris Ofili, Elizabeth Peyton, Bob and Roberta Smith, Jessica Voorsanger and Stephen Willats, among others. Imprint 93 was also closely linked to influential and emerging artist-centered initiatives such as London’s City Racing and Cabinet Gallery. \u003c\/p\u003e\n\u003cp\u003eHiggs, now director of White Columns in New York, is an artist, writer and pioneering curator. Having witnessed the phenomenal rise of young British artists in the early 1990s, he contacted those he knew and admired and invited them to make a work for his mail art project, Imprint 93.\u003c\/p\u003e","brand":"MARTIN CREED","offers":[{"title":"Default Title","offer_id":45065561014553,"sku":"","price":1450.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/5024\/2841\/files\/257_1_artists_books_ephemera_from_an_important_private_collection_march_2023_martin_creed_work_no_101__rago_auction.jpg?v=1682399712"},{"product_id":"copy-of-martin-creed-work-no-101-for-pianoforte","title":"MARTIN CREED \/ Work no. 118","description":"\u003cp class=\"p1\"\u003e\u003cstrong\u003eMartin Creed \u003cbr\u003e\u003c\/strong\u003e\u003cem\u003eWork no. 118  \u003c\/em\u003e1995\u003cbr\u003ePrinted paper, \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e30 × 21cm\u003c\/span\u003e.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eCondition: \u003cspan data-mce-fragment=\"1\"\u003eOverall good condition, sheet has been folded twice. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eBetween 1993 and 1998, Matthew Higgs, artist, writer and current Director of White Columns, produced and distributed more than fifty works through his publishing project Imprint 93. An administrator at an advertising agency by day and influential curator by night, Higgs invited artists to create works of art that could fit inside an envelope to be distributed, unsolicited, by mail to an informal group of friends, artists, and curators. Financed by himself and printed on an office photocopier, Imprint 93 served as an ongoing curatorial project which did not necessitate a space, circumvented traditional art world structures, and offered a unique platform and network for artists to distribute their work.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThe artists involved in Imprint 93 were often at the beginnings of their careers, working on the periphery of the then emerging ‘YBA’ movement. The exhibition features the work of Fiona Banner, Billy Childish, Martin Creed, Jeremy Deller, Peter Doig, Ceal Floyer, Stewart Home, Alan Kane, Hilary Lloyd, Paul Noble, Chris Ofili, Elizabeth Peyton, Bob and Roberta Smith, Jessica Voorsanger and Stephen Willats, among others. Imprint 93 was also closely linked to influential and emerging artist-centered initiatives such as London’s City Racing and Cabinet Gallery.\u003c\/p\u003e\n\u003cp\u003eHiggs, now director of\u003cspan\u003e White Columns \u003c\/span\u003ein New York, is an artist, writer and pioneering curator. Having witnessed the phenomenal rise of young British artists in the early 1990s, he contacted those he knew and admired and invited them to make a work for his mail art project, Imprint 93. \u003c\/p\u003e","brand":"MARTIN CREED","offers":[{"title":"Default Title","offer_id":45065570844953,"sku":"","price":1450.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/5024\/2841\/files\/258_2_artists_books_ephemera_from_an_important_private_collection_march_2023_martin_creed_work_no_118__rago_auction.png?v=1682400202"},{"product_id":"copy-of-destroy-all-monsters-geisha-this","title":"DESTROY ALL MONSTERS \/ Geisha This","description":"\u003cp class=\"p1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eDestroy All Monsters\u003cbr\u003e\u003c\/strong\u003e\u003cem\u003eGeisha This  \u003c\/em\u003e\u003cspan\u003e1997\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePaperback, 28 x 22cm\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThird edition of 2000\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eBook Beat Gallery, New York\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThis book is a compilation of the first six issues of Destroy All Monsters magazine (1975-1979). This work is from the third revised edition of 2000.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eCondition: Excellent, as new. Mint copy in florescent hot pink cover designed by Niagara.\u003c\/p\u003e\n\u003cp\u003e'Geisha This' combines images from the DAM collage trash-art magazine published 1975-1979, along with rare photos and other artworks by DAM. The 3rd revised edition has a cover printed in silver metallic ink on florescent hot pink covers. The Destroy All Monsters collective are the artists Mike Kelley, Jim Shaw, Cary Loren and Niagara.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eWith inserts, poster, interviews, news-clippings and an original clear plastic unreleased flexi record, this is the definitive DAM document. Hundreds of photos are gathered in this one volume along with band histories (DAM liner notes, notes on the history of DAM magazine, discography, flyers, lyrics, text of DAM interviews itself, record reviews, artwork from the 1970s era DAM and unpublished material. Each book contains one original hand-made psychedelic splatter painting. A total of three editions of “Geisha This” were made. Each edition cover was printed in different colors, collated by hand in a different sequence with different and altered content, similar to the DAM magazines made in the 1970s.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003ci\u003eDestroy All Monsters\u003c\/i\u003e\u003cspan\u003e started out as an anti-rock band: four midwestern art students - Jim Shaw, Mike Kelley, Cary Loren, and Niagara - with a mission to subvert the airwaves. Between 1975 and 1979, they produced six issues of DAM Magazine, a barrage of Kelley's perverse cartoons, Shaw and Loren's wild Xeroxed collages, and shots of the band; Niagara did a lot of the cover designs, and everything was crudely printed on cheap paper. \"The images that drove us were the strange combinations of film noir, monster movies, psychedelia, thrift-shop values, and the relentless anarchy of an over-stimulated pop culture\", recalls Cary Loren. This compilation is the definitive DAM document: hundreds of drawings, photos, Xeroxed artwork, reviews, profiles, and personal manifestos - plus a flexi-record bound into the book.\u003c\/span\u003e\u003c\/p\u003e","brand":"DESTROY ALL MONSTERS","offers":[{"title":"Default Title","offer_id":45065776038169,"sku":"","price":450.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/5024\/2841\/files\/Folio_001_543e279a-b4f0-4770-9aec-a1db22d2dca5.jpg?v=1682401542"},{"product_id":"destroy-all-monsters-killing-me-softly-limited-edition","title":"DESTROY ALL MONSTERS \/ Killing Me Softly","description":"\u003cp class=\"p1\"\u003e\u003cstrong\u003eDestroy All Monsters\u003cbr\u003e\u003c\/strong\u003e\u003cem\u003eKilling Me Softly  \u003c\/em\u003e1995-96\u003cbr\u003eBound printed paper, box, mixed media\u003cbr\u003eNumber 218 from the edition of 250\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThis work is signed and numbered. Packaging includes a clear vinyl 7\" record, housed in a fur lined box with a monster sticker designed by Mike Kelley. This work is sealed with a Band-Aid and tape and remaining fur inside box. This is also known as \"The Monkey Fur Box\".\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eCondition: Excellent, as new. Unopened. \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eTracklist: \u003cbr\u003eA Killing Me Softly\u003cbr\u003eB Detroit Rock City\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eBass – Greasy Carlisi\u003cbr\u003eGuitar – Art Byington, Cary Loren, Jim Shaw (4)\u003cbr\u003ePercussion – Mike Kelley\u003cbr\u003eReleased in an edition of 250 copies on clear vinyl and housed in a fur lined box with a monster sticker designed by Mike Kelley.\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDestroy All Monsters\u003c\/span\u003e\u003cspan\u003e started out as an anti-rock band: four midwestern art students - Jim Shaw, Mike Kelley, Cary Loren, and Niagara - with a mission to subvert the airwaves. Between 1975 and 1979, they produced six issues of DAM Magazine, a barrage of Kelley's perverse cartoons, Shaw and Loren's wild Xeroxed collages, and shots of the band; Niagara did a lot of the cover designs, and everything was crudely printed on cheap paper. \"The images that drove us were the strange combinations of film noir, monster movies, psychedelia, thrift-shop values, and the relentless anarchy of an over-stimulated pop culture\", recalls Cary Loren. This compilation is the definitive DAM document: hundreds of drawings, photos, Xeroxed artwork, reviews, profiles, and personal manifestos - plus a flexi-record bound into the book.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv data-v-7eb1e0c8=\"\" class=\"details_section ds_three with-result\"\u003e\n\u003cdiv data-v-7eb1e0c8=\"\" class=\"ds_financials show-bid-controls\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e","brand":"DESTROY ALL MONSTERS","offers":[{"title":"Default Title","offer_id":45066124951833,"sku":"","price":1650.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/5024\/2841\/files\/317_1_artists_books_ephemera_from_an_important_private_collection_march_2023_destroy_all_monsters_three__rago_auction.png?v=1682403613"},{"product_id":"allen-ruppersberg-als-cafe-lithograph","title":"ALLEN RUPPERSBERG \/ Al's Café lithograph","description":"\u003cp class=\"p1\"\u003e\u003cstrong\u003eAllen Ruppersberg\u003c\/strong\u003e\u003cbr\u003e\u003cem\u003eAl's Café  \u003c\/em\u003e1979 \u003cbr\u003e56 x 41cm, \u003cmeta charset=\"utf-8\"\u003elithograph on paper\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eCondition: Excellent with minimal wear\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e(Al's) \u003ci\u003eCafe\u003c\/i\u003e was intended to be a limited-run restaurant, staged once a week—Thursday nights from eight to eleven—in a rented location in downtown Los Angeles. It was to function socially as a meeting place for friends, members of the art world, and anyone else who wanted to drop by. In direct opposition to what one might have expected from a young artist at the time, the decor was familiar to the point of strangeness: hyperfamiliar, you might say today.\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe look was as crafted as a movie set, true to the period, though the period could have been anywhere from 1925 to 1969. Against all Minimalist, Post-Minimalist, and Conceptualist expectations, this cafe was not an idea as an idea as an idea; it was sumptuously filled with romantic detail, suggesting a cafe that had existed for a lifetime of years and was filled with Middle American memorabilia—posters, nature calendars, fishing paraphernalia, pinups, picture postcards, and autographed photos of movie stars and sports heroes. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThe patterns of the tablecloths were everyday plaid, the counter and the tables and chairs were traditional. Odd bits of advertising novelties were everywhere, souvenirs of past events abounded, and the waitresses were beautiful. This was \u003ci\u003eAl's Cafe, \u003c\/i\u003ethe American cafe of all American cafes, looking as if it had been nurtured for forty years by a caring cafe-owner, filled with memories to be shared with generations of patrons. It was a place where any American would have felt at home. It was exorbitantly familiar. \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eSince the 1960s, paintings, prints, photographs, sculptures, installations, and books have been among the media through which Allen Ruppersberg explores the intersection of art, literature, and life. Like those of Allan Kaprow, Ruppersberg’s projects are participatory, anticipating the ideas of Rirkrit Tiravanija, Carsten Höller, and other 1990s practitioners of Relational Aesthetics. Ruppersberg's installation The Never Ending Book Part 2\/Art and Therefore Ourselves (2009) was a selection of thousands of photocopied pages from the artist’s collection of books, which he installed in a theatrical environment of props and posters; the pages were stacked in boxes and free for viewers to take home and create their own unique “books”.\u003c\/p\u003e","brand":"ALLEN RUPPERSBERG","offers":[{"title":"Default Title","offer_id":45066309468441,"sku":"","price":1250.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/5024\/2841\/files\/406_1_artists_books_ephemera_from_an_important_private_collection_march_2023_allen_ruppersberg_artists_books_and_ephemera__rago_auction.jpg?v=1682405076"},{"product_id":"allen-ruppersberg-greetings-from-l-a","title":"ALLEN RUPPERSBERG \/ Greetings from L.A.","description":"\u003cp\u003e\u003cstrong\u003eAllen Ruppersberg\u003cbr\u003e\u003c\/strong\u003e\u003cem\u003eGreetings from L.A. : A Novel  \u003c\/em\u003e1999\u003cbr\u003eArtists book, pictorial wrappers, offset-printed, glue bound, black-and-white\u003cbr\u003e20.5 x 13.5cm, 240 pages\u003cbr\u003eSelf-published book\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eCondition: Excellent, with minimal wear\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBeginning in the 1960s select Los Angeles artists began to mimic the look and feel of commercial marketing strategies by treating viewers as consumers. In this vein, Allen Ruppersberg produced a series of books that demonstrate an interest in the products of popular culture. One of these was '\u003c\/span\u003eGreetings from L.A.'\u003cspan data-mce-fragment=\"1\"\u003e, the subtitle for which declares it to be a novel. A flip of its pages reveals only occasional bits of narrative, with the most of the pages left blank. It is an artist's book in the guise of a faux novel.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe back cover, meanwhile, features a parody of the exaggerated and breathy prose used to sell airport fiction and cheap thrillers.  The piece is striking for this contrast between its content, a high-culture exploration of text and spacing that nods to the French poet Stéphane Mallarmé, and its seeming appearance as low-culture pulp fiction.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eSince the 1960s, paintings, prints, photographs, sculptures, installations, and books have been among the media through which Allen Ruppersberg explores the intersection of art, literature, and life. Like those of Allan Kaprow, Ruppersberg’s projects are participatory, anticipating the ideas of Rirkrit Tiravanija, Carsten Höller, and other 1990s practitioners of Relational Aesthetics. Ruppersberg's installation \"The Never Ending Book Part 2\/Art and Therefore Ourselves\" (2009) was a selection of thousands of photocopied pages from the artist’s collection of books, which he installed in a theatrical environment of props and posters; the pages were stacked in boxes and free for viewers to take home and create their own unique “books”.\u003c\/p\u003e","brand":"ALLEN RUPPERSBERG","offers":[{"title":"Default Title","offer_id":45066675814681,"sku":"","price":450.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/5024\/2841\/files\/gri_90_b12310_326093ds_d_f780d137-fefc-49ae-a9f0-929734fd901d.jpg?v=1771475042"},{"product_id":"claus-oldenburg-store-days","title":"CLAES OLDENBURG \/ Store Day's","description":"\u003cp class=\"p1\"\u003e\u003cstrong\u003eClaes Oldenburg\u003cbr\u003e\u003c\/strong\u003e\u003cem\u003eStore Day's  \u003c\/em\u003e1967\u003cbr\u003eHardcover, first Edition\u003cbr\u003eSomething Else Press, New York\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eCondition: Good, minimal wear. \u003c\/p\u003e\n\u003cp class=\"p1\"\u003eDescription: Hard cover,\u003cspan data-mce-fragment=\"1\"\u003e crisp black-and-white and colour illustrations throughout complementing the text. Produced \u003cmeta charset=\"utf-8\"\u003ewith the aid of Emmett Williams, photographs by Robert R. McElroy. Also includes a pristine example of the original business card for \"The Store\" (at 107 E. 2nd St.), which is inserted into its glassine pocket pasted on to the front! \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eA great document of the early 60's Oldenburg store which continues to influence so many artists to this day. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003ci\u003eStore Days\u003c\/i\u003e is the remainings of the most significant monument of the early 60’s New York art - The events, theories, works and situations surrounding Claes Oldenburg’s Store, which was on the one hand a real place where real sales were made, and on the other a set of ideas whose reverberations are still being felt…\u003cbr\u003e\u003cbr\u003e”\u003ci\u003eStore Days\u003c\/i\u003e is a selection by the artist, with the aid of Emmett Williams, of texts, graphic materials and photos from 1961-62. The documents are presented as directly as possible, since this is no catalogue but the evocation of a seminal moment.“ \u003c\/span\u003e\u003c\/p\u003e","brand":"CLAES OLDENBURG","offers":[{"title":"Default Title","offer_id":45151171477785,"sku":"","price":180.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/5024\/2841\/files\/wac_12347.png?v=1683114060"},{"product_id":"allen-ruppersberg-matches","title":"ALLEN RUPPERSBERG \/ Al's Cafe matchbooks","description":"\u003cp\u003e\u003cstrong\u003eAllen Ruppersberg\u003cbr\u003e\u003c\/strong\u003e\u003cem\u003eAl's Café matchbooks  \u003c\/em\u003ec. 1979 \u003cbr\u003eMatchbooks with Al's café logo\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cmeta charset=\"utf-8\"\u003eCondition: Like new\u003c\/p\u003e\n\u003cp\u003e'(Al's) Café' was intended to be a limited-run restaurant, staged once a week—Thursday nights from eight to eleven—in a rented location in downtown Los Angeles. It was to function socially as a meeting place for friends, members of the art world, and anyone else who wanted to drop by. In direct opposition to what one might have expected from a young artist at the time, the decor was familiar to the point of strangeness: hyper-familiar, you might say today.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe look was as crafted as a movie set, true to the period, though the period could have been anywhere from 1925 to 1969. Against all Minimalist, Post-Minimalist, and Conceptualist expectations, this cafe was not an idea as an idea as an idea; it was sumptuously filled with romantic detail, suggesting a cafe that had existed for a lifetime of years and was filled with Middle American memorabilia—posters, nature calendars, fishing paraphernalia, pinups, picture postcards, and autographed photos of movie stars and sports heroes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThe patterns of the tablecloths were everyday plaid, the counter and the tables and chairs were traditional. Odd bits of advertising novelties were everywhere, souvenirs of past events abounded, and the waitresses were beautiful. This was '\u003ci\u003eAl's Cafe', \u003c\/i\u003ethe American cafe of all American cafes, looking as if it had been nurtured for forty years by a caring cafe-owner, filled with memories to be shared with generations of patrons. It was a place where any American would have felt at home. It was exorbitantly familiar. \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eSince the 1960s, paintings, prints, photographs, sculptures, installations, and books have been among the media through which Allen Ruppersberg explores the intersection of art, literature, and life. Like those of Allan Kaprow, Ruppersberg’s projects are participatory, anticipating the ideas of Rirkrit Tiravanija, Carsten Höller, and other 1990s practitioners of Relational Aesthetics. Ruppersberg's installation The Never Ending Book Part 2\/Art and Therefore Ourselves (2009) was a selection of thousands of photocopied pages from the artist’s collection of books, which he installed in a theatrical environment of props and posters; the pages were stacked in boxes and free for viewers to take home and create their own unique “books”.\u003c\/p\u003e","brand":"ALLEN RUPPERSBERG","offers":[{"title":"Default Title","offer_id":45151274205465,"sku":"","price":165.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/5024\/2841\/files\/406_2_artists_books_ephemera_from_an_important_private_collection_march_2023_allen_ruppersberg_artists_books_and_ephemera__rago_auction_1.png?v=1683115093"},{"product_id":"angela-bulloch-texte-zur-kunst","title":"ANGELA BULLOCH \/ Texte zur Kunst","description":"\u003cheader\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eAngela Bulloch\u003cbr\u003e\u003c\/strong\u003e\u003cem\u003eTexte zur Kunst  \u003c\/em\u003e2001 \u003cbr\u003eNumbered 22 from the edition of 150+ 20 AP.\u003cspan data-mce-fragment=\"1\"\u003e 23 x 16.6cm, \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003emagazine\u003cbr\u003e\u003c\/span\u003eTexte zur Kunst, Berlin\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eCondition: Excellent \u003c\/p\u003e\n\u003c\/header\u003e\n\u003csection class=\"text\"\u003e\u003c\/section\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e'Texte zur Kunst' is a bilingual internationally recognised art magazine that publishes contributions by leading writers on contemporary art and culture. Founded in Cologne in 1990 by Stefan Germer and Isabelle Graw, it has been based in Berlin since 2000. Alongside groundbreaking essays, the quarterly magazine offers interviews, roundtable discussions, and comprehensive reviews on art, film, music, fashion, art history, theory, and cultural politics.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eAdditionally, each issue release is accompanied by exclusive editions by internationally renowned artists, who generously support the magazine by producing unique works for the magazine. \u003cmeta charset=\"utf-8\"\u003eFor this edition of 'Texte zur Kunst', Angela Bulloch came up with an edition that refers concretely to our new issue: her \"Generic English Edition\" is an almost identical version of the paired issue but in a computer-generated English translation. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eAngela Bulloch was born 1966 in Rainy River, Ontario, Canada. She studied at Goldsmiths, University of London and currently lives and works in Berlin. In 1997, Bulloch was nominated for the Turner Prize and in 2005 for the Berlin-based Preis der Nationalgalerie für junge Kunst. In 2011, she received the Vattenfall Contemporary Art Prize, Berlin, as well as the Art Prize of the city of Wolfsburg.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eAngela Bulloch's work spans many media, manifesting her interest in systems, patterns and rules, as well as her preoccupation with the history of shapes and human interaction. The 'Pixel Boxes' have become her most familiar work: Initially fabricated in beech wood with a glass front screen, their softly changing and pulsing colours distill and abstract complex visual patterns into simple shifting monochromes. \u003c\/p\u003e","brand":"ANGELA BULLOCH","offers":[{"title":"Default Title","offer_id":45151337152793,"sku":"","price":450.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/5024\/2841\/files\/2.png?v=1683199510"},{"product_id":"angela-bulloch-rules-series-edition","title":"ANGELA BULLOCH \/ Rules Series Edition","description":"\u003cp class=\"p1\"\u003e\u003cstrong\u003eAngela Bulloch\u003cbr\u003e\u003c\/strong\u003e\u003cem\u003eRules Series Edition  \u003c\/em\u003e1993\u003cbr\u003eSilk screened on plastic, slipcase, ten sheets, 29.5 x 21cm\u003cbr\u003eBrain Multiples, Santa Monica, CA\u003cbr\u003eEdition of 20\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eCondition: Excellent\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e'Rule Book'\u003cspan\u003e \u003c\/span\u003eis an extensive collection of guides, instructions, manuals and rules that have been amassed by Angela Bulloch. They are taken from sources as disparate as: parking restrictions, the Ten Commandments, the standing order of the House of Commons, hankie colour codes, Birkenstock care tips and the detoxification diet.\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv class=\"p\" data-mce-fragment=\"1\"\u003e\n\u003cp\u003eBy displacing these rules from their social and political context Bulloch reveals their ‘man-made structure’ as well as a society that, in order to maintain a stable social structure, imposes regulations and controls on every conceivable form of activity. As such, the book forms an intriguing snapshot of society at the close of the twentieth century.\u003c\/p\u003e\n\u003cp\u003eAngela Bulloch was born 1966 in Rainy River, Ontario, in Canada. She studied at Goldsmiths, University of London. The artist lives and works in Berlin.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eIn 1997, Bulloch was nominated for the Turner Prize and in 2005, for the Berlin-based Preis der Nationalgalerie für junge Kunst. In 2011, she received the Vattenfall Contemporary Art Prize, Berlin, as well as the Art Prize of the city of Wolfsburg.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eAngela Bulloch's work spans many media, manifesting her interest in systems, patterns and rules, as well as her preoccupation with the history of shapes and human interaction. The 'Pixel Boxes' have become her most familiar work: Initially fabricated in beech wood with a glass front screen, their softly changing and pulsing colours distill and abstract complex visual patterns into simple shifting monochromes. \u003c\/p\u003e\n\u003c\/div\u003e","brand":"ANGELA BULLOCH","offers":[{"title":"Default Title","offer_id":45158239830297,"sku":"","price":650.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/5024\/2841\/files\/243_3_artists_books_ephemera_from_an_important_private_collection_march_2023_angela_bulloch_artists_books_two__rago_auction.png?v=1683199471"},{"product_id":"sean-landers-sic","title":"SEAN LANDERS \/ [sic] (SIGNED)","description":"\u003cp\u003e\u003cstrong\u003eSean Landers\u003cbr\u003e\u003c\/strong\u003e\u003cem\u003esic  \u003c\/em\u003e1993\u003cbr\u003eSoftcover, 454 pages\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e19 x 14 x 2.5 cm\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eFirst edition. 135\/250, signed\u003cbr\u003ePublicsfear Press Ltd., New York, 1993\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eDetails: \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThis is the first printing of \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e[sic]\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e, printed in a limited edition of 250, each one signed and numbered by the artist. 19 x 14 x 2.5 cm. 454 pages.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eCondition: Excellent\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThe publication of [sic] coincided with the exhibition \u003ci\u003eSean Landers\u003c\/i\u003e at Andrea Rosen Gallery, New York, from October 22 to November 27, 1993. \u003cmeta charset=\"utf-8\"\u003eSigned and numbered, this work is a first edition, number 135 from the edition of 250. \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSean Lander's cult classic artists' book composed of a endless[ly] hysterically obsessive handwritten rant by artist Sean Landers. \"I just finished reading \u003c\/span\u003e\u003ci\u003e[sic]\u003c\/i\u003e\u003cspan\u003e and feel like I've been trapped with an insanely self-obsessed hitchhiker on an impossibly long car ride and I can't figure out why I didn't kick the jerk out of my car. For the first time in my life I found myself reading out of politeness. Most remarkable is that after more than 450 pages I can't remember a single thing he wrote... Never in my life did I think reading could be such an utter waste of time. I normally can find something redeeming in anything I've read. After reading \u003c\/span\u003e\u003ci\u003e[sic]\u003c\/i\u003e\u003cspan\u003e I cleaned my apartment just so I could feel like I'd done something with my day... Imagine a chimpanzee as a brain surgeon, and you'll get an idea of what kind of novelist Sean Landers is... My next book will definitely be better, please don't let this one put you off.\" -- Sean Landers, author of \u003c\/span\u003e\u003ci\u003e[sic]\u003c\/i\u003e\u003cspan\u003e, from back-cover of book.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA gripping rant \/ lament by Sean Landers published in reproductive format from the artist's hand \/ artist's notebook. Funny, sad, hysterical, a gripping read.\u003c\/span\u003e\u003c\/p\u003e","brand":"SEAN LANDERS","offers":[{"title":"Default Title","offer_id":45158395871513,"sku":"","price":850.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/5024\/2841\/files\/343_1_artists_books_ephemera_from_an_important_private_collection_march_2023_sean_landers_artists_books_three__rago_auction.jpg?v=1683201069"},{"product_id":"sean-landers-art-life-and-god","title":"SEAN LANDERS \/ Art, Life and God","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cstrong\u003eSean Landers\u003cbr\u003e\u003c\/strong\u003e\u003cem\u003eArt, Life and God  \u003c\/em\u003e1990\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eVello bound, black and white, 28 x 21.7cm.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e First edition\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eSelf published, 1990 \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eThis is the first printing of \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eArt, Life and God\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e, printed without the yellow cover page. Edition size unknown, unsigned and unnumbered. Still with the original Postmasters gallery exhibition checklist!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eCondition: Excellent\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIn 1990, Postmasters Gallery in New York presented a solo exhibition titled “Art, Life and God” by then emerging artist Sean Landers. 159 sheets of yellow notebook paper were pinned to the walls containing the diary of the artist’s fictional counterpart, sculptor Chris Hamson. These lurid musings on the contemporary art world form a highly personalized rant, part self-flagellation and part brazen self-promotion. Almost 20 years later the works of “Art, Life and God” are reproduced in their entirety in print for the first time, dog-eared et al.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"SEAN LANDERS","offers":[{"title":"Default Title","offer_id":45158494011673,"sku":"","price":350.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/5024\/2841\/files\/1_7dbca245-5fac-4a21-9ecf-81e56d7d7cc0.jpg?v=1683201972"},{"product_id":"jean-claude-lebensztejn-pissing-figures-1280-2014","title":"JEAN-CLAUDE LEBENSZTEJN \/ Pissing Figures 1280-2014","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eJean-Claude Lebensztejn\u003cbr\u003e\u003c\/strong\u003e\u003cem\u003ePissing Figures 1280-2014  \u003c\/em\u003e2017\u003cbr\u003eSoftcover, 192 Pages\u003cbr\u003e10 x 7cm\u003cbr\u003eDavid Zwirner, New York \u003c\/p\u003e\n\u003cp class=\"p1\"\u003eCondition: New \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eJean-Claude Lebensztejn’s history of the urinating figure in art, \u003cem\u003ePissing Figures 1280–2014\u003c\/em\u003e, is at once a scholarly inquiry into an important visual motif, and a ribald statement on transgression and limits in works of art in general. Lebensztejn is one of France’s best-kept secrets. A world-class art historian who has lectured and taught at major universities in the United States, his work has remained almost entirely in French, his American audience limited to a small but dedicated group of cognoscenti. \u003c\/p\u003e\n\u003cp\u003eFirst introducing the\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eManneken Pis\u003c\/em\u003e—the iconic little boy whose stream of urine supplies water to this famous fountain and is also the logo for a Belgian beer company—the author takes the reader through a semi-scatological maze of cultural history. The earliest example is a fresco scene located directly above Cimabue’s\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eCrucifixion\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003efrom around 1280 at the Basilica of Saint Francis of Assisi, in which Lebensztejn’s careful eye locates an angel behind a pillar who looks like he is about to urinate through a hole in his garment. He continues to navigate expertly through cultural twists and turns, stopping to discuss Pier Paolo Pasolini’s 1968 film\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eTeorema\u003c\/em\u003e, for example, and Marlene Dumas’s 1996–1997 homage to Rembrandt’s pissing woman. At every moment, Lebensztejn’s prose is lively, his thinking dynamic, and his subject matter entertaining. \u003c\/p\u003e\n\u003cp\u003eIn this short and poignant cultural history, readers not only find the care for detail that has made Lebensztejn into one of the greatest European art historians, but also the rebelliousness that makes him one of the most interesting intellectuals of our time. The first widely distributed book of Lebensztejn’s in English,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003ePissing Figures 1280–2014\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis simultaneously published in France by Éditions Macula.\u003c\/p\u003e","brand":"JEAN-CLAUDE LEBENSZTEJN","offers":[{"title":"Default Title","offer_id":45158628655385,"sku":"","price":25.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/5024\/2841\/files\/pissing-figures_coverupdated.png?v=1683203003"},{"product_id":"wolfgang-stoerchle-sucess-in-failure","title":"WOLFGANG STOERCHLE \/ Success in Failure","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cdiv\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eWolfgang Stoerchle\u003cbr\u003e\u003c\/strong\u003e\u003cem\u003eSuccess in Failure  \u003c\/em\u003e2021\u003cbr\u003eSoftcover, 408 pages\u003cbr\u003e16 × 24cm\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eDaisy Editions and Christophe Daviet-Thery, Paris\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cbr\u003eEdited by Alice Dusapin, with associate editor Justin Jaeckle. Texts by Alice Dusapin and James Welling; interviews with David Salle, Helene Winer, Matt Mullican, Paul McCarthy, and Daniel Lentz. Designed by Coline Sunier \u0026amp; Charles Mazé.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eCondition: New\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv class=\"accroche\" itemprop=\"description\"\u003eThe first monograph devoted to the work of video artist and performer Wolfgang Stoerchle (1944-1976), an artistic figure of the Californian scene in the 1970s, based on extensive research and three international exhibitions.\u003c\/div\u003e\n\u003cdiv class=\"accroche\" itemprop=\"description\"\u003e\n\u003cbr\u003eWolfgang Stoerchle is a particularly notable artistic figure of the early seventies who left a certain but little advertised mark on a generation of Californian artists, especially through videotapes and performances involving his body as raw material. His short but eventful life is surrounded by rumours, and his abrupt death in 1976 may have emphasised the myth around him even more. His entire body of work was produced in eleven years, between 1965 and 1976. Forty-five years after he passed away, his name still drifts across the West Coast art world, awaiting wider recognition.\u003c\/div\u003e\n\u003cdiv class=\"accroche\" itemprop=\"description\"\u003e\n\u003cbr\u003e'Wolfgang Stoerchle: Success in Failure' was written by Alice Dusapin who has dedicated extensive research into his life and work since 2017 and organised several international exhibitions during this time (Ampersand, Lisbon; Gallery Overduin \u0026amp; Co, Los Angeles; Gallery Air de Paris and Museum of Contemporary Art of Rome).\u003c\/div\u003e\n\u003cdiv class=\"accroche\" itemprop=\"description\"\u003e\n\u003cbr\u003eThe publication includes interviews with Daniel Lentz, Paul McCarthy, Matt Mullican, David Salle, Helene Winer, and an unpublished review by James Welling, alongside ephemera and documentation of Stoerchle's video works and performances, as well as rarely seen sculptures, installations, and paintings.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"price\"\u003e\u003cbr\u003e\u003c\/div\u003e","brand":"WOLFGANG STOERCHLE","offers":[{"title":"Default Title","offer_id":45158663422233,"sku":"","price":75.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/5024\/2841\/files\/Wolfgang-Stoerchle-Success-in-Failure-Cover-2000x3000.jpg?v=1683203463"},{"product_id":"emily-dickinson-the-gorgeous-nothings","title":"EMILY DICKINSON \/ The Gorgeous Nothings","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eEmily Dickinson\u003c\/strong\u003e\u003cbr\u003e\u003cem\u003eT\u003cmeta charset=\"utf-8\"\u003ehe Gorgeous Nothings  \u003c\/em\u003e2013\u003cbr\u003eHardcover, 272 pages, \u003cmeta charset=\"utf-8\"\u003e24 x 3.3 x 31cm\u003cbr\u003eChristine Burgin \/ \u003cspan data-mce-fragment=\"1\"\u003eNew Directions, New York\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e110 colour illustrations and gatefold, \u003cmeta charset=\"utf-8\"\u003eselected and edited Jen Bervin and Marta Werner; Preface by Susan Howe; Visual Index by Jen Bervin; Essay and Directory of the envelope writings by Marta Werner. \u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eCondition: New \u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"body\"\u003e'The Gorgeous Nothings'\u003cspan\u003e \u003c\/span\u003eis the the first full-colour facsimile edition of Emily Dickinson's manuscripts ever to appear. This deluxe edition includes full-scale reproductions of Dickinson's late writings, presenting this crucially important, experimental body of work exactly as she wrote it, on carefully deconstructed scraps of envelopes, each accompanied by a transcription to facilitate reading of the original. 'The Gorgeous Nothings' offers a never-before possible glimpse into the process of one our most important poets \u003cmeta charset=\"utf-8\"\u003efrom her visually stunning manuscripts, here in a deluxe, large-scale edition. \u003c\/p\u003e\n\u003cp class=\"body\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eKnown as \"The Myth of Amherst\" for her withdrawal from society while still a young women, Emily Dickinson (1830-1886) had an inner life that was deeply emotional and intense. She know rapture and despair, pondered the wonder of God and the meaning of death. 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He acts as a wide-eyed explorer wandering in a new world, examining and responding to works in the Museum's collection by pointing, staring, or offering quizzical looks. Lacking judgment, consideration, and caution, Baby Ikki possesses an abundance of curiosity and has an insatiable appetite for attention, even when posing with priceless works of art. Providing an entirely new angle from which to view a premier art institution, the photographs in this book are at times comedic and at others unsettling for their irreverence and perceptiveness.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eMichael Smith (Mike Smith) is known for his groundbreaking work in performance art as well as his immersive mixed-media installations. Since 1979, the majority of his work has centered on his extraordinarily prescient and sympathetic character, Mike. Smith's other recurring performance persona is Baby Ikki, whose bizarre and precipitous infancy is marked by conspicuous facial hair, oversized diapers, and undersized sunglasses.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eMichael Smith first appeared as Baby Ikki in 1975. Since that time, the baby has appeared on the streets, in museums, at childrens' birthdays and in newspapers and magazines around the world. Formatted and designed like a children's board book, \u003c\/span\u003e\u003ci\u003eBaby Ikki at the Museum\u003c\/i\u003e\u003cspan\u003e features the eighteen-month-old character at the Whitney Museum of American Art. Lacking judgment, consideration, and caution, Baby Ikki possesses an abundance of curiosity and has an insatiable appetite for attention. 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